Tag Archives: indie publishing

Trusting My Instincts (And Where They Took Me This Year)

Some people choose a word at the beginning of the year to be their theme, keep their goals on-track, and direct their work. I think that’s a fantastic idea. I might even try it for 2015.

Again.

See, I have a hard time remembering my word, which makes it somewhat ineffective. But one thing I can do right now is look back at 2014 and spot the One Thing. The lesson I learned. The progress in my personal character arc that this section of my story pulled out of me.

2014 was the year I learned to trust my instincts.

(This is going to be a writing/publishing/sales post. You’re excused if this topic bores you. No hard feelings. We’ll talk about future projects next time, which should be more exciting for most of us. WHEE, FUN!)

See, independent publishing is a wonderful thing, or at least it can be under the right circumstances. But it is a business as much as it is a creative endeavour, and it requires a LOT of decision-making.

And me? I suck at decisions.

Publishing

I find it hard to believe how much happened this year. As of early 2014 I was firmly prepared to get Bound out to the world by publishing it myself. I had considered the options and decided not to seek out an agent and publishing contract for this project. I’d booked an editor, paid my deposit, and was… actually, I was still tearing my hair out over the decision. I knew I had the right editor, I’d picked an amazing cover designer, and I felt confident that I had a solid story even if I knew it still needed work.

But I had doubts. I read success stories, but I read more about people who were excited to be earning coffee money from their books. This is not to say that that’s not an achievement. Reaching even one reader and giving them a story they fall in love with is the goal. To change one person, to have an impact on her… it’s mind-blowing. It’s why I do this.

But when you’re paying several thousand dollars for production costs and want to maintain the same standards on book two, you want to make that back ASAP. And there are no guarantees. None. Amazing books do poorly and crap rises to the top as often as it goes the other way.

And on top of that, there are the well-meaning friends who have gone ahead with publishing their work who tell you, “Yeah, have fun with your book getting ignored. You can’t do it without an agent and a publisher. Trust me.”

It can become difficult to have confidence in your plans, you know? But my instincts told me this was the way to go (emphasis on me–this is not for everyone). My gut said I could do it myself, but I couldn’t go it alone. I couldn’t do my own editing and cover design. But I was starting a business, and those things were the expenses I’d have to handle if I wanted it to have a chance at success. I made the decision, and it felt right.

And yet I still hesitated.

For a real example of how uncertain I was, look no further than the fact that I didn’t officially announce Bound’s upcoming release until after I got edits back and realized that though the manuscript bled red from every page, I could handle the changes.

It’s like not really committing to a relationship until you’re walking down the aisle.

But I digress.

 

The Other Stuff

It wasn’t all about the method of publication, though that was absolutely the biggest decision I had to trust my gut on in 2014.

There were the decisions I had to make about which developmental suggestions to take from my editor. All were good suggestions; not all fit my vision for the story and the direction I wanted to take the series. I stuck to my guns on one huge aspect of the love story, the end of the book, and… actually, I took almost every other suggestion, including re-working the back-story for the entire world.

And it worked. It’s not a perfect book (I don’t believe such a thing exists), but it’s the one I wanted to write.

There was the cover art, and on this I had to trust someone else’s experience and instincts. I wanted something symbolic, but nothing we came up with had the impact a book needs to sell. We talked about a cover with a character on it–an idea I instinctively balked at, but that turned into a cover that has gained a lot of attention from readers. Ravven knows book covers. I don’t. Even when I wasn’t 100% sure on the finished product, I trusted the part of me that said to trust her.

And it worked.

There was the question of going with Amazon’s KDP Select and gaining extra promo opportunities, or distributing more widely. That’s its own post, and we’ve talked about it before. I stayed out of Select, and have only occasionally and temporarily regretted that decision. Have I missed some opportunities to promote? Yes. Has Amazon punished me for it? Absolutely not. I sell over 90% of my books there. They’ve been amazing.

So yeah, that seems to be working for me. Whew!

I had to decide whether to heavily promote Bound when it was my only book, or put that time and energy into working on the next one. I chose the latter.

No regrets there.

There were lovely e-mails from people at companies I won’t name here asking about audio rights or publication opportunities. I accepted one offer and regretfully declined discussion on another that I’d have jumped at a year ago, but that didn’t fit my plan for this series at this time.

That was a tough one. I do hope to work with those people on another project some day. But I followed my instincts again, and I feel good about my decision.

There was the pricing issue. There’s some pressure to release a first novel at 99 cents to try to get more impulse purchases, or to make it free just on the off chance that people might read it if it’s in their Kindles. I struggled with this for a long time. I had invested a lot into this book, both in time and money. I had an eye-catching cover, a blurb that I thought worked, and a sample that I trusted to draw readers in. My gut told me to let those things to do their job and let the sales come as they may.

There’s nothing wrong with 99 cent sales, or 99 cent releases, or perma-free first books in series. You have to do what works for you, and I’ll do occasional sales in the future. But I knew that three bucks was a hell of a deal for this book. Heck, $4.99 is a bargain. Amazon says I should price it higher, but I don’t.**

I’m doing what feels right for me when it comes to pricing, price changes, and sales. I’m not dropping the price just to chase Amazon ranking. I’m gathering honest review. I’m trying to really connect with people through social media instead of spamming.

Everything is about long-term strategy, and so far, it’s working.

 

The results of trusting my instincts

How well is it working?

Ugh. I hate to talk about it, but I do find it helpful when other authors share results, so here goes.

Thanks to a combination of factors***, Bound stayed in the top 10 of several sub-category Best Seller lists all summer, and sat at #1 on two of them for quite a while. It’s still in two top 50’s, and in the top 100 of a third six months after release.

Fullscreen capture 2014-07-20 84034 AM.bmp

^Back in June. Aah, memories!

 

At its best day, it was in the top 500 overall on Amazon.com. At its lowest, it’s hovered around 10,000. I expect this to keep dropping, and that’s fine. Really. Juuuust fine.

*anxiety explosion*

As of the six month mark (Christmas Eve), it had sold over 15,000 copies in e-book.

It’s not NYT Bestseller stuff by any stretch, but not at all bad for a debut from an unknown indie author with no massive social media following, no industry connections, no money for promotion, no offering the book for free (except as advance review copies) and thus far no 99 cent sales.

I put the number here simply to add another entry to the “Yeah, this is possible” column. You hear a lot about how “the wild west land of indie publishing opportunity is over,” but it’s still possible for readers to discover your book. There is hope. Always.

Have I made mistakes and missed opportunities? Absolutely. And I will continue to make them, and miss them. But I will also continue to read as much as I can on the industry, on what people are doing that works, and what doesn’t. I find that my instincts only work if I feed them with information.

That’s why I’m posting this for you to read. I don’t care to talk about money. I hesitated to even post sales numbers. But it’s time for me to give back to the author community that has supported me, and as I’m not comfortable offering advice, I’ll share experience. I hope my experiences will help feed your instincts.

This isn’t a road map, though.

There’s no one right way to do this, and I mistrust anyone who says there is. For me, the key is being informed, staying flexible, making decisions I’m comfortable with, never taking advantage of others for my own gain, being grateful for everything, and above all maintaining my commitment to producing quality work.

Your mileage may, of course, vary.

You know what? I’m calling my word for next year. It’s going to be Flexibility.

There’s an 80% chance that this is the same word I chose last year, but that’s fine. It’s working. It means learning, it means shaking off the negative and steering for the positive. It means trying new things that might not work out, but that I also might learn from.

Next post, we’ll set some goals and talk about upcoming releases. YAY!

 

So tell me: What did you learn this year, either in your personal or professional life? Anything that might help the rest of us out?

 

**Mostly because I almost never pay more than $5 for an e-book myself, unless it’s a box set, something that I’m desperate to have, or occasionally to support author friends. I like e-books, but their limitations mean I won’t pay paperback prices for them. $5 for something I’m only licensing for personal use seems reasonable to me.^

^That said, never say never. As the industry changes, so will my opinions and tactics. This is a faintly-drawn line in the sand, not a stone wall. Flexibility!

***We can talk about this in another post, if anyone cares to. I have theories. But this post is already way too long.

 

Advertisements

Signed Paperback Giveaway

We have so much to celebrate!

Tomorrow is Bound’s three month… um… bookaversary? That works.

Distrgard the Prologue has passed 500 followers (hi, new kids!).

The Facebook page has reached 300.

Even with overlap, I think that means it’s time to have some fun.

I’m giving away a signed paperback copy of Bound to one lucky reader, just to say thank you to all of you for your support. I like you guys. You’re cool.

10374079_10152471641055325_1349617090979388647_n

Keep it, read it, share it, give it to someone for a gift… whatever you like.

I can’t figure out how to embed this thing, so you’ll need to click on the link below. You earn entries for commenting on this blog post, liking my page on Facebook, and following on Twitter. All of the above, if you want more entries, but just one is fine. Entries are open until October 1.

a Rafflecopter giveaway

I’ll also throw in a few postcards for you. You can use them as bookmarks, share them with friends, sleep with them under your pillow in the hopes of dreaming of your favourite character… whatever you like.

Just a reminder that I’m also running a giveaway on Goodreads, if you haven’t entered that one.

That’s two paperbacks available! And with Canada Post’s shipping rates, I’m afraid that’s all I can do. Starving artist here, people! 🙂

So there you go. Have at it. Refer a friend. If I did this thing right, you can tweet every day for more entries.

And thank you. So much.

Okay, back to work.


WHAT’S TAKING SO LONG?!

There are authors who can put out a book in a month.

Spoiler alert: I’m not one of them.

I know that a lot of people are waiting for Torn to come out, some rather impatiently. There’s nothing wrong with that–it’s wonderful to know that people enjoyed Bound enough that they’re excited to read more of the story. Amazing. A little shocking, as there are more of them than I expected, but wonderful.

I thought it would be a good time to explain why I don’t get a book out a month, why it takes a while for me to do this, and why it’s best I don’t rush things.

But first: In case anyone missed the note before, the release date for Torn will probably be late March/early April, with February pre-orders, not December 2015. I know, “Winter 2015” could have meant either, but I really couldn’t be more specific than that when I released Bound. But hey, sooner is better than later, right? Yaaaaaay.

But still, this is 8-9 months after Bound came out. What gives, WRITER PERSON?

A few things.

I started Bound in November 2010 (yes, it’s a NaNoWriMo novel. Officially). That means it took me 3.5 years to get it ready for publication, most of it spent finding the story, improving it, and developing the characters that many people seem to be somewhat fond of. I was also learning about the craft of writing. This wasn’t my first story (I’ve been writing for years), but it was my first completed novel.

A big part of the reason all of this took so long is that writing is not my full-time job. During 2.5 of those years, I had a kid at home full-time and one in school during the day. Last year the younger guy went to school half days, and I finally got time to work. A whole hour or two a day! WOOHOO! But still, writing was a hobby. I couldn’t devote a lot of time to it without ticking the family off.

The point is, I’ve had to fit writing in around my family’s schedule, because they’re kind of my main job. My husband works shifts and is on-call a lot, so that factors into it, too. I can’t spent six, or eight, or twelve hours a day cranking out books, as some indie authors say they do. I hope I’ll get at least a few solid hours in a day now that the kids are both in school full-time (though home for lunch), but until now it’s been hit-or-miss.

Second thing: I do a lot of revisions. I know some people say not to do that, but I do. Why? Because the story, the characters, and the world get better with every draft and every scene re-write. If I had released Bound when it was “good enough,” it would have looked nothing like it does today, and I’d be wishing for a do-over now. It takes time for my ideas to evolve, for the puzzle pieces to fall into place, for little details to appear that make the story richer. My first drafts aren’t the worst in the world, but there’s a lot of room for improvement. If I waited for perfection I’d never release anything, and there comes a time when I have to let go. But when there are still big issues, I can’t. You all deserve better (and so do my beta readers).

So I do two drafts before anything goes to my first readers (three in the case of Bound and Torn, because they just weren’t ready after two). I have to let the stories rest for at least a month between drafts so I can gain some perspective, so that adds time, though I am working on other things while those are festering. Then beta readers get time with them, and I revise again based on their critique. Then I have to wait until my editor is ready, and he gets the book for about two weeks, and then… yes, scene rewrites, edits, all that fun stuff.

And then someone has to read it again.

It is a long process, but I’m committed to only releasing the best-quality books I’m capable of. That takes a lot of help, and a bit of time.

Maybe now that I have time during the day, I’ll get on a roll and be able to produce a 30,000 word novella in six months. But with rewrites, off-times, and waits for editing, I can’t see a big story taking much less than a year, at least in the near future. (For reference, Bound was 118,000 words, and Torn is almost as long.) Maybe as I become more comfortable with crafting longer and more complex stories, those puzzle pieces will start falling into place in earlier drafts. That would be fantastic, and they did for my unreleased Urban Fantasy novella. But at this point I’m not going to sacrifice quality for speed.

Good thing I started Torn in November 2012, right? Did the first draft through December that year, and did the second draft last year. And that’s how it goes: It’s a long process, but I try to have several things on the go at once so you all don’t have to wait so long.

So there you go. Reasonable best-case scenario (as of right now) for a long book: 3 months for draft one, 1 month to settle, 2 months for draft 2, another quiet month, another run-through before beta readers see it (probably at least 1 month), 1 month for them to read, 1 month (conservative) to fix that, 2 weeks with the editor (if I can get him at that time; scheduling can be an issue), 2+ more months to make things shine. Then proofreading, formatting, advance copies, etc., and LAUNCH.

And through that there are birthday parties, Christmas, summer vacation (two months when things slow to a crawl), a dog to walk, dentist appointments, teacher meetings, and those oh-so-irritating and frequent migraine days when it’s all I can do to keep the household running, never mind stringing a sentence together. I know, other parents manage to work at home just fine, and some writers with full-time jobs crank out a book a week.

I’m not them. My point is, it takes me some time, but I promise you’re not going to get anything less than my best. I respect readers enough to offer only that, even if it means a semi-frustrating wait between books. I wish I was one of those amazing writers who can offer both (and some of those fast writers really do), but right now I have to choose between more books and better books.

I choose better.

 


The Things I’m Learning: Working With an Editor

In this series of posts, I’m sharing a few of the things that surprised me about publishing a book, as well as things I wish I’d known before I started. This is all personal experience and personal opinion, shared in case it helps someone. Your mileage may vary.

This is going to be a long post, and not of interest to everyone. Feel free to skip this one and join the party next week, or skip to the TL;DR version at the bottom. And again, this is about my choices and experiences. My way is not the only way. You can do it your way, and I respect that. We all cool?

I get a lot of questions about my editor: why I chose to use one, how I decided who to work with, how much it cost, what the process was like, and whether the decision has paid off. I think it was one of the best decisions I made for my book, so I thought I’d answer some of those questions today.

…And then I really need to get back to my real work, which means getting Torn ready for beta readers, who look at it before my editor does (more on that later).

So. Once I made the decision to publish independently*, I knew I wasn’t going to put out anything that was less than the best, most professional work I could produce. I know there’s a popular school of thought that says do your best, publish and move on, and then pay for editing later if there’s enough interest in the book. I can’t do that. My perfectionism will not allow do-overs, so it had to be right the first time.

In my case, that meant hiring an editor.

I had done my research already. I knew I wanted developmental editing, because though the story was as good as I could make it, and my beta readers were AMAZING, I knew it still had weak spots. I knew it needed line edits, because no one can catch all of his/her own errors. Also, the number one criticism I see on indie/self-pub books in reviews is “this could have used an editor,” and I didn’t want to put my readers through that.

(For anyone wondering, developmental editing = critiquing the story, finding plot holes/character inconsistencies, pointing out missed opportunities for kicking things up a notch… whatever. This can be done any time from the planning phase through edits. Line editing is fixing grammatical errors, changing sentence structure to be clearer or flow better, probably changing that string of three consecutive “ing” words up there, noting confusing sentences/blocking, etc. Some people call this copy editing, and define line editing differently, but this is what I was looking for.)

I had a list of a few editors to check out. There are a some whose blogs I follow who seem fantastic, and who are on my list for future projects, but I had one more item on my list: I wanted someone with experience in Fantasy. That narrowed the list down. While I would trust many professional, experienced editors to do line edits, I needed someone who knew world-building and magic systems.

Enter editor Joshua Essoe.

I’d been listening to the Hide and Create podcast for a few months, and knew that he knew his stuff. I liked what he said about those issues I mentioned above. I liked how he described his approach to editing. People seemed pleased with his work. I went to his website, looked things over, and decided to send my sample pages in and get an estimate.

I was so nervous. I hate sending my work out for critique, and this was the real thing. Someone was going to tell me how my work sucked so I could pay him money to tell me MORE about how my work sucked. Sweet deal, right?

Anyway, it was fine. He actually thought the first five pages were pretty good, but he made some line edits. I changed things, read it through, and knew I’d found my guy. He didn’t mess with my character’s voice, just made things smoother and clearer, and asked questions that helped me make the setting and character movements clearer.

The next question, of course, was money. I don’t like to talk about money. Monsieur Joshua Essoe charges an hourly rate (posted on his site if you’re THAT curious), and gives an estimate based on the sample and how long he thinks it will take to edit the full book. The estimate is subject to change, of course. If a mechanic gives you an estimate on changing your oil, then opens the hood to find the engine plastered in cat crap and roadkill (not to mention the parts that are falling off), your price is going to go up. Likewise for an editor who charges by the hour.** My estimate came in at something just north of 50 hours.

So yeah, it was a big decision. I had to talk it over with AJ, and explain that there was a good chance that this book wouldn’t earn that money back. Most books, especially first ones, don’t “earn out,” and any profits would need to go toward the next book’s production costs***. We’d have to think of it as an educational expense; I wanted an editor more than I wanted to take a few courses or try to go to a convention. More than just getting this one story fixed, I wanted to know where my writing needed to improve, and I knew I’d get that. It was an investment in me and my business, and (may all the gods of Tyrea bless him forever), AJ voted that I should go ahead with it.

I was shaking when I hit “send.” I may have barfed. Wait, maybe that was when I published. In any case, for the two weeks My Editor (yes, it’s fun to say that) had the book I was tense, jumpy, nervous… a joy to be around in all respects. He sent an updated estimate half-way through (not much change, but considerate of him nonetheless).

Was I nervous that I was wasting my our money? You bet. Terrified, in fact. What if it wasn’t worth it? What if Señor Joshua Essoe thought it was horrible and told me to change everything? What if he didn’t get what I was trying to do, and wanted to make the tone less modern and more TRADITIONAL, MEDIEVAL FANTASY? Ick. I mean, there’s nothing wrong with that, it’s just not what I like to read or write. What if it turned out my work was so horrible that I couldn’t publish, and had to give up writing, and had wasted our tax refund, and…

Sometimes having an over-active imagination sucks.

So then, on an evening in April, my phone binged its e-mail notification as I was getting ready for bed. By that point I was jumping to the ceiling every time that happened.

And there it was: Bound Edit Complete! And an attachment!

Nausea. Excitement. It was like Christmas morning, if we’d had the turkey the night before and it gave me salmonella.**** Obviously I wasn’t going to wait until morning to peek. AJ was working, the kids were in bed. Screw sleep, I had reading to do!

The editorial critique letter came in around 20 pages. This was the developmental editing, the big picture stuff, the things that would lead to revisions and scene re-writes.

And it was FANTASTIC.

That’s not to say it was all positive. Nooooooo sir.

The first paragraph was kind and wonderful. He said I was a good writer, that my characters were well-drawn and engaging, that he enjoyed the story right through.

The second paragraph said this: “If you feel like throwing things as you continue to go through the edit, come back and read that first paragraph again.”

Cue my nerves.

It was a fair warning, actually.

  • He critiqued my magic system, which seemed too broad and open, and allowed problems to be solved too easily. It wasn’t well-defined enough; that was my fault, as I’d accidentally edited much of the explain-y stuff out when I was trying to get the word-count down to trad-pub acceptable levels.
  • He reminded me that I had the ability to time-travel, to go back and set up important details early in the story so that they didn’t seem a little too convenient when they showed up later, or slow pacing when I had to explain them during exciting moments.
  • There were big issues with Aren’s character and motivation. Not surprising, given that he wasn’t even supposed to be a viewpoint character when I first came up with the concept for the story, or through most of the first draft.
  • The climax needed to be re-written, as it was too melodramatic.
  • He thought I should change the ending, and **SPOILER** suggested I not let certain aspects of the romantic storyline reach a conclusion until the next book.

There were other things, but I won’t list them all here. The letter concluded with another lovely paragraph about the book. More importantly, the body of the letter gave suggestions about how to fix the problems. *insert choirs of angels singing* And not only that, he had respected the story that I wanted to tell and the way I wanted to tell it.

So yeah, it was hard to hear there was so much room for improvement, but it made me sure I’d made the right decision in hiring my editor. I fell asleep that night with a huge grin on my face. It was going to take a lot of work, but this thing was going to be goooooood.

I read through the line notes the next day. These were done using Track Changes in Word– not my favourite program, but effective for this. There were changes to wording that I would accept or reject later. SO many of those. But more importantly, there were notes EVERYWHERE. Why would he do this? This statement doesn’t make sense. That concept needs to be explained sooner. Redundant. She wouldn’t be this comfortable with him yet. Cut. These characters are too stereotypical. There were also little notes that indicated personal reactions to the story, and those made it easier to get through the tough stuff: **cool!  **nice **this is awesome

My personal favourite correction.

My personal favourite correction.

Maybe it’s silly that I needed them, but those little bits of encouragement really made the whole thing a lot more pleasant. Yes, there were times when I made faces at the screen. Yes, in my sleep-deprived immaturity I may have giggled at the phrase “needs deeper penetration.” Yes, I did occasionally want to throw things.

In fact, what came next was the hardest work I’ve ever done on anything. I took the advice. I planned changes. I accepted most suggestions, and rejected a few (see aforementioned romantic conclusion and ending– truth is, I hate cliffhangers and unresolved romance as a reader, and I didn’t want to use them in this book. Not bad advice, just a personal decision. This is one of the reasons I went indie, after all). And at the end, I had a book I was truly proud of.

Was there anything I would change about the experience? I guess doing developmental and line edits separately would have been nice, though it would have been a LOT more expensive to have him take the time to do two passes. It would have allowed me to make the big changes and address major issues before he fixed up the smaller things. But keeping costs down was important at the time, too. And Joshua was great with follow-up stuff. I asked for clarification on a few points, bounced a few ideas off of him in e-mails, was probably a little annoying, and he was great about answering everything. He offered a wrap-up phone call, but I don’t really do phone stuff. E-mail it was. And he took a quick look at by cover copy and corrected a couple of grammatical/punctuation errors there, too.

Was it easy? No. My skin’s not as thick as it should be, though it’s getting tougher. But it was absolutely worth every dollar and every minute.

Is it for everyone? Probably not. I know I was lucky to be able to afford to do this (see aforementioned tax refund), and not everyone can. Many authors get by just fine without developmental editing, and line edits are usually cheaper. Some writers don’t work with editors at all. I’m sure people will read this and tell me I spent too much. That’s fine, if that’s your opinion. But my book came out of that editing so much stronger than it went in. It’s not a perfect book, but I’m confident that it’s the best I could make it.

Okay, there’s one typo. I need to fix that.

And yes, it has paid for itself already. I don’t like to talk money, but my fears about that were unfounded.

Before anyone asks, yes, Mr Essoe has agreed to work on Torn. If Bound hadn’t made enough money, I’d have had to find a cheaper route, but we’re good for now, and I’m thrilled about that. When my lovely, wonderful, and honest beta readers are done ripping it apart critiquing it, I’ll fix the problems they identify, and then send it off. Fewer problems = less for mister editor to fix = less expensive for me. I highly recommend doing it this way if you’re using an editor.

TL;DR VERSION

Why I decided to use an editor: The book was good, but I needed professional help if I wanted it to kick ass.

How I found mine: Heard him on a podcast, was blown away by the sample edit.

How much it cost: More than my first car, less than my current one.

Holy crap, really?: Yes.  This is a good post on what they do, and average rates. There’s another FANTASTIC post out there on why they charge as much as they do (taxes, business expenses, non-billable hours, etc), but I can’t find it. If anyone knows the one I’m talking about, please drop a link in the comments!

What the process was like: Amazing. Humbling. Uplifting. Inspiring. Confidence-boosting. Challenging. Grey-hair inducing. SWELL.

Has it paid off: In my case, absolutely. Your mileage may vary. This is all personal experience.

So I hope that helps someone, and now I have a post I can refer people to when they ask. WIN-WIN, guys.

*No, I don’t like the term self-published, because it has a stigma attached to it and because I don’t do it all myself. I operate like a micro-press that works with freelance editors, cover artists, and formatters. It just happens to only represent one author.

**Many do charge by word-count. I consider them brave souls!

*** General advice is to expect to release 3-5 books before you’re making much money, so that’s how I planned it.

****Sorry for that visual.


ROW80 Update- Falling off the Cliff Edition

Not literally. It’s just my first book‘s last few days of eligibility for Hot New Release lists on Amazon.com. My poor baby is going to feel the sting of being replaced by newer and younger books.

Le sigh.

But what the hell, right? It’s been an awesome run. I didn’t expect to see it on this list. Or here.

Fullscreen capture 2014-07-20 84034 AM.bmp

Or here. I am keeping this screenshot FOREVER.

Maybe its spot in a couple of sub-category best-seller lists will keep it afloat for a while. I actually have no idea how that usually works out, long-term. I’m torn between sharing EVERYTHING here in the interest of getting potentially helpful information out there for other writers, and just staying all shut-up because someone’s going to come along and say, “PFFT. IT’S JUST A COUPLE OF SUB-CATEGORIES, GET A LIFE, ROOKIE.”

It’s major for me. These little victories don’t take away the crippling self-doubt that most writers seem to struggle with, but they’re really nice.

Thanks again to everyone who’s read, reviewed, shared the book with friends, and offered support and encouragement in the past month. I hope I’ll see you all at the next release party. 🙂

Okay, update.

Goals were here, and right now mainly focus on getting Torn whipped into shape for readers and then my editor. Good news: I’m 1/3 of the way through. Bad news: Subtracting family vacation time (I’m going to go nuts if I can’t work, I swear), that leaves about 4 weeks to get through the other 70K+ words, which includes two new scenes and full re-writes of others, plus heavy revisions.

I can do this. I just hope my dear husband finds it in his heart to accept my frequent absences when I disappear to my office*. I also hope I can figure out how to not be distracted by social media, etc., which is my writing Kryptonite. The distraction, I mean, not social media specifically. If I didn’t have that, it would be something else. I don’t have ADD, but I definitely have CFF (Can’t F%$*ing Focus… not the Canadian Fencing Federation).

Once I get working, I’m fine for a good 20 minutes or so. It’s just settling into it that’s hard. That, and the kids hanging off of me, the Barbie doll chatting in my ear about how she’s the Salt Queen now, the rest of the “Are you done yet? Now? How about now?”

I feel like this is the main benefit of an office job. And I still don’t particularly want to work with a publisher, but I think my deadlines might carry more weight with people if I could say they came from somewhere other than me and the promise I made to readers. It’s a little frustrating.

Anyway. I’m pretty well on schedule, and that’s the important thing.

For anyone who doesn’t know, ROW80 is a writing challenge that lets you set your own flexible goals for each round. More information here. And if you’d like to check out some other people’s posts, click here! Join in any time at your own blog space if you feel so inclined.

In other news, I’m considering dropping out of this challenge. I’m not sure these posts are anything but boring for you guys, and they take time away from actual writing (my perfectionist tendencies and paranoia about how much to say about things have made this post take an hour and a half to write). Maybe I’ll just leave Sundays open for something fun and keep Wednesdays strictly WIPpetish. We’ll see.

Now. Back to work.

Wait, no. The kids are up. Later…

*It’s easy enough to find me. Down to basement, hang a left past the litter box ghetto. It’s the spot with the desk and the dragons and the crazy person.


Bound Now Available in E-book

No, it’s not officially launch day. We’re not bumping the party up. The celebration still starts on Thursday and continues on to Monday with blog interviews, the Facebook party, and other fun stuff. If you still want to participate, there’s time! E-mail me. We’ll do lunch. Or blog stuff.

But just in case anyone feels like getting started a little early…

20140624-160653.jpg

We have links. I’m only telling you guys because I like you.

Amazon.com

Amazon.ca

Kobo

Barnes & Noble

I’ll update here with the iBooks link ASAP. Amazon isn’t showing the paperback for me yet, but my aunt managed to buy it through Amazon.com… so let me know what you see, will you? I don’t know if she has a magic computer, amazing Amazon Fu, or what.

Current e-book price is $2.99. This is an introductory price that will hold until the end of August– regular will be $4.99. This isn’t to pressure anyone to buy, but to say thank you to all of you who are already supporting me and this project. You are amazing.

 

I’ll be adding the purchase links up top tonight, as well as information on signed paperback copies, which you’ll be able to order through me. Because it would be silly to have someone else sign them. Right? I’m kind of new at this.

So… I guess that’s it for now. I swear we’ll get back to our normal random, fun, zany shenanigans soon. This week is just a wee bit exciting for me.

Wee bit.

*freaks out*

So, what are you up to? Did you have a good weekend? Oh, and can you recommend a new song that I absolutely must listen to? I need some new music.


ROW80 Update: I Like Big Books and I Cannot Lie Edition

 

 

 

 

 

*pulls spider webs out of hair*

Please pardon my appearance. I’m in the depths of uploading a book to various thingies, and I’m afraid I haven’t had time to clean up.

*shakes off rat that’s gnawing on boot*

It’s been an interesting day, but it looks like things are working out. Yes, I broke down and paid someone to format for me. I know, time investment, yadda yadda. But the truth is that the book looks better than I ever could have managed on my own with my current skill set, and considering the troubleshooting my guy had to do today, I think my sanity is worth what I paid.

Actually, it was kind of amusing. I’m Canadian and he’s a Brit, so the e-mail replies read like a merry-go-round of apologies and thank-yous.

One of the problems stemmed from the high-ish page count of the book, which requires a deeper gutter (space between the spine and the text). Not a big deal once we identified the problem, but it took a few tries to get it. And then this came in the mail this afternoon…

20140611-161037.jpg

button by beanforest (etsy)

 

I thought it was kind of funny. 🙂

Bottom line is: I have delicious, beautiful, formatted files that I’m sending to ARC readers tonight. Everyone on my list as it stands, that is. Remember that thing where the basement flooded and I lost information on who was helping with the cover reveal? There’s a small chance that a name or two could have been lost from this list, as well. If you signed up and did’t get an e-mail today, just send me a message at kate.sparkes (at) live.ca and we’ll get you fixed up. It’s not personal, I promise!

And yes, I’m getting excited again. The cover art for the paperback nearly blew my mind. If all goes well I should have a copy of the book in my hands next week.

This frustrating, infuriating, beautiful book. I may cry.

If you haven’t added it to Goodreads yet, here’s the link. One ARC reader has rated, and is going to put a review up soon.

I think I should take a screenshot while this rating lasts.

So looking back on my goals for this round of ROW80…

  • editing FINISHED
  • proofreading FINISHED
  • formatting FINISHED
  • send out ARCs FINISHED
  • set up Facebook page (here) FINISHED
  • submit to KDP, D2D READY TO ROLL
  • submit to Createspace FINISHED
  • order proof copy PENDING
  • Revise Book 2 for JuNoWriMo… NOT GOING SO WELL

…but I’m letting myself off the hook as far as word count goes. I’m reading and making notes right now.

Side note: Holy crap, tax stuff is complicated and intimidating and annoying. I still have to call for my EIN and get that off to Amazon. Anyone who knows me knows that this is NOT my idea of a good time. Phone calls make me anxious.

But I have to do it if I don’t want them to withhold 30% of my money.

So I’ll do it.

Tomorrow.

So, how are things in your neck of the woods?

 


Anastasia Writes

politics, engineering, parenting, relevant things over coffee.

The Writer Within

Inside the world of author AnnMarie Wyncoll

Beth Camp

Writer of historical fiction and teller of tales . . .

rogerbloomsfield

An Aspiring Author's Adventure

Are You Finished Yet?

Life, writing, books, dragons- not necessarily in that order. Home of best-selling Fantasy author Kate Sparkes.

Life, love, writing

Sara Beth Williams, Author of Christian Romance

Allie Potts Writes

Author, Blogger, Designer - Inventor of Worlds

Ultimately Useless Stories

If I don't write to empty my mind, I go mad. ~Lord Byron

The Wordy Rose

"Either write something worth reading, or do something worth writing." - Benjamin Franklin

Shan Jeniah's Lovely Chaos

Finding Yessings and Blessings in Lifes Messings!

Little Rittwolf's Book Blog

I thought having my own blog would help me....Squirrel!....stay more focused. I could be wrong.

The Sword of Air

Stunning new multitouch iBook by breakthrough author R.J Madigan

Doorway Between Worlds

Communication tips with a creative twist

CHOUETT

Read it! 📖 Spark it! ✨

Benjamin Wallace Books

Books written by Benjamin Wallace

Denise D. Young

Author & Magical Creative

chestnut book blog

Read. Recommend. Revel.

💚life is never fair☕

🌼i gather strength from life’s storms -Jonathan L Huie🌼

inkedrainbowreads.wordpress.com/

LGBT Book Reviews, Cover Reveals & More! We are a group designed to help promote and review LGBT et al books. We were created out of seeing a need and wanted to have that need filled. We pride ourseles of having opinionated reviews that are unique and helpful to the author. Welcome to a world of the best LGBT et al books out there!

Dionne Lister - Author

I love sharing my stories but I wish they wouldn't keep me awake at night

Avid Reviews

Fantasy and Sci-Fi Reviews For Both Self-Published and Traditionally Published Books

Author Jen Wylie's Blog

Welcome to my mind... Blog for fantasty author Jen Wylie

J.R. RASMUSSEN

fantasy author