Not my wordiest week. To be fair, though, I did lose two days.
We (my family) left home on Thursday evening to head in to St. John’s. Weird timing for a trip, I know. But when one of your favourite authors/a great friend/an amazing person is in town, you make the trip. I got to see Krista Walsh again, and this time I got to show her a little bit of Newfoundland.
Totally worth missing a day of work for.
Two, actually. I spent Thursday packing and checking little tasks off my to do list rather than writing. So that’s two days I didn’t add anything to my draft.
Worth it.
Monday, Tuesday, and Wednesday were split days. I drafted early in the morning, then did other work after the boys went to school.
Monday and Tuesday were all about the book that came back from my editor on the weekend. On Monday I did a quick pass accepting or rejecting the little changes my editor had made to fix sentence or paragraph flow (mostly accepting… she’s good at what she does) and dealing with minor fixes. On Tuesday I went through and did the bigger fixes that required deeper thought: looking at places where something had seemed wonky to her, where I needed to re-think blocking in a fight or bring a character in who had sort of disappeared from a group scene, questions about whether someone’s hand was inside or outside of someone else’s clothing.
And that was actually it. I usually plan on post-editor edits taking a lot longer than two days, but this time everything went smoothly.*
So on Wednesday I used my later-morning time to draft the back cover copy for that book, get the ball rolling on cover art, and format the book so I could send it to beta readers.
As for the early morning drafting, I had great mornings on Monday and Tuesday, even if it was hard to get started. Up at 5:30, writing by 6:00. More than 1,500 words Monday, almost 1,900 Tuesday. By Wednesday, though, I was already feeling burned out (after those big mornings and pushing myself to get through my edits). I slept in until 6:20 and only wrote for half an hour.
Strong starts to the week + burning out by the end seems to be a pattern for me. Actually, it’s the pattern of a lot of days, too. I think I’m scared of not using the energy when I have it because I don’t trust it (or the available time) will be there later if I try to pace myself early on. That might be something to look at in future weeks.
For now, the goal is to keep going with this early morning writing schedule. I’ll still be using early mornings for drafting, and then later mornings will be either for more drafting or for taking care of all the things I still need to do for pen name this month (post-beta fixes, cover art, proofreading in ebook and paperback, planning the next book for NaNoWriMo, figuring out promotional stuff).
I might be able to get this draft of my project (we’ll call it Phoenix here for clarity, though it doesn’t have a title) finished by the end of the week. I’m really hoping that boosts my motivation to keep going. I can feel myself getting lazy even though my deadlines are quite critical at this point.
Hours worked: 12 (3 writing, 5.5 editing, 3.5 other work-related tasks)
Words written: 4,000
Pages edited: two passes on 90K word book (no read-through, just editorial fixes)
Other stuff:
- cover copy for Atonement written
- cover art in progress
- Atonement sent to beta readers
- family stuff (trip to St. John’s, curriculum night at school, making salt crystals at home because that was a cool thing that happened at school)
- exercised most days
Not too shabby, really.
HAPPY THANKSGIVING, CANADA!
*The time it takes to do these edits and fixes also depends on what kind of edits I’m getting. My pen name Urban Fantasy stuff isn’t receiving the same kind of deep substantive edits that I’ll be getting on my current project when it goes to my other editor. That one could involve massive rewrites after I get the book back. Every book in the Bound trilogy needed big revisions and edits after that editor got his claws into them. Lots of work, but they’re far better books for it. And I learn a lot every time.
disregard the prologue 
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