Author Archives: Kate Sparkes

About Kate Sparkes

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Kate Sparkes was born in Hamilton, Ontario, but now resides in Newfoundland, where she tries not to talk too much about the dragons she sees in the fog. She lives with five cats, two dogs, and just the right amount of humans. USA Today bestselling author of the Bound Trilogy (mature YA Fantasy), Into Elurien, and Vines and Vices. Writing dark, decadent, and deadly Urban Fantasy as Tanith Frost. www.katesparkes.com www.tanithfrost.com

COVER REVEAL ANNOUNCEMENT (and a newsletter bonus!)

*taps microphone*

Hello?

Hi. Just a quick post today. After much hemming and hawing and trying to decide whether the cover reveal for Into Elurien should wait until pre-orders are available, I’ve come to a decision.

And the decision is: Screw that. I want you guys to see it. Those of you who haven’t, I mean. Newsletter subscribers saw it last month. 🙂

So the official Into Elurien cover reveal will be happening this Friday, April 15. That’s exactly one month before pre-orders go up. EEK!

into elurien teaser

DRESS! BOOK! MAGIC! DARKNESS! YAY!

I want this week to be special for newsletter subscribers, too, so they’re going to get something EXTRA special on Friday. They’ve seen the cover, so they get to meet… well, a very interesting character an early chapter excerpt.

You want to sign up for this. Zinian is a bit of a monster, but I think you’ll like him. Visit this link to get on the list, and be sure to add my email to your approved senders list so you don’t miss the excitement!

And I’ll see you here on Friday. 🙂

(If you’d like to help out by posting the cover reveal on your own blog, I’d be really grateful and super excited to have you on board! Just email me at kate.sparkes@live.ca and we’ll work that out. Anyone who helps out will be first in line for an advance review copy of this adventure-packed new adult fantasy romance–just let me know you want one when we talk.)

 


Author Chat: Celine Jeanjean on Sequels

Hi, everyone! Today it’s my pleasure to host a guest author on the blog. If you’ve been hanging around here, or if you follow me on Instagram, you probably know how much I enjoyed The Bloodless Assassin (formerly titled The Viper and the Urchin) by Celine Jeanjean. The sequel, The Black Orchid, is currently available for pre-order and releases tomorrow, so it seemed like a great time to chat with Celine about the unique challenges presented by sequels.

(Cover art by the excessively talented Ravven)

Writing your first book is hard. The next is another beast entirely.

This post is an edited transcript of our recent chat. As interesting as our tangents about cover art (what is with all of the beheaded hot dudes and drowning chicks, anyway?), reacting to reviews, our dogs, and the current state of publishing were, we’ll try to keep this post on topic. 🙂

KS: So, Celine, would you like to give us a quick introduction to what your books are about?

CJ: Sure! The series follows Longinus (the Viper) and Rory (the urchin). Longinus is a pedantic assassin with an inconvenient blood phobia. Rory’s an urchin girl with big dreams of becoming a famous swordswoman. They meet when Rory saves Longinus during an assassination gone wrong and then blackmails him so he’ll teach her swordfighting. It’s pretty much irritation at first sight for them both. They argue, they get on each other’s nerves, and ultimately become very close in a very platonic way.

The books are both fun action capers, they’re a mix of steampunk, non-magic fantasy (in that they take place in another world than ours) and there’s quite a bit of humour. And then each story has a darker mystery running throughout, where Rory and Longinus find themselves fighting to save the city.

KS: And now it’s sequel time.When did you start working on The Black Orchid? Was that something you had drafted before The Bloodless Assassin came out? Did you have an idea of what you wanted to do?

CJ: I had a completely blank slate after Bloodless Assassin was finished. I always wanted each book to work as a standalone, so I had no particular idea of what would happen next, other than Rory and Longinus would get into some trouble together. Likewise, I didn’t get the idea for book 3 until I was nearly done with The Black Orchid. There’s a bit of an emotional thread running throughout the books, in that the characters grow and change over time, but that’s as much as I know before I start writing a story. Although I think I might know the overall story for book 4 already. That might change as I write book 3, mind you. One thing’s for sure, I have so much fun creating new cities that I think Rory and Longinus will do a lot of travelling as the series develops!

KS: And you gave us a fantastic glimpse of that worldbuilding on your blog not long ago. I can’t wait to see what locations you create next! I find your series process interesting. And it strikes me as brave, because I would totally freak out if I didn’t have some idea what was going to happen next. I drafted Torn before Bound’s release, and Sworn before Torn’s release.

CJ: Yours is a continuous story whereas mine are separate stories with a common thread. I imagine if I wrote something like Bound, I’d plan out the whole thing first.

KS: I really had only a vague idea how the larger story would end when I released Bound. I’m glad I did things the way I did for the series, being able to plant seeds in earlier books that would sprout later, but leaving lots of room for exploration. Each book was a really unique experience for me. Did you find you faced different challenges in writing this book compared to what you dealt with for book one?

CJ: Yes absolutely. One of the challenges I found was dealing with the Worst Case Scenario of writing each book. When I was writing Bloodless Assassin, I kept picturing the worst thing that could happen: that nobody read the book (or that a handful of people read it and left 1 star reviews – I could never decide which was worse). But then I told myself that if that happened, then nobody would actually know about my book, so I could quietly retire it and start again from scratch. That made it less scary because I could see how I’d pick myself up if I failed, so most of the time I was just having fun with Bloodless Assassin.

With Black Orchid, I have readers now, and those readers have expectations. Which is a wonderful thing, of course, and I’m incredibly grateful, but I’ve found that this time my Worst Case Scenario is much harder to ignore: the idea of people who loved Bloodless Assassin reading Black Orchid and putting it aside, disappointed. I found myself second guessing what I wrote a lot more. Writing a book 1 in a series is far more freeing because there’s zero expectations, so you can literally just have fun with it. With book 2 there’s definitely a whole lot more pressure. Thankfully I did manage to set it aside most of the time so I’m not quite a basket-case yet.

And then from a more ‘technical’ standpoint, I found that with a sequel you have more of a balance to tread. You want to have the stuff people seemed to love in book 1 but at the same time make book 2 a unique thing that’s not just a rehashing of book 1 (I’m looking at you, bad Hollywood sequels). And part of that for me was trying to make sure there was as much of a sense of discovery in terms of the setting in Black Orchid as there was in Bloodless Assassin, despite it taking place in the same city.

KS: I think we may be kindred spirits. We have the same worries/paranoias. ^_^

CJ: Did you find publishing book 2 harder than book 1?

KS: I think the hardest thing about writing the middle book in a trilogy was making it its own story. None of them are intended as standalones, but each book needed a complete story arc and a definite challenge for each character to overcome, and Torn had to bridge the gap between the beginning and the series climax.

Do you have any advice for authors embarking on the sequel experience?

CJ: I think for sequel writing, the most important thing is keeping reader voices out of your head – even if it’s very positive stuff. One thing I fell prey to while writing Black Orchid was at some point consciously trying to please readers. I wrote this whole (rather large bit) which was totally created on the back of some very nice reader comments — because I really wanted to give them more of the stuff they’d liked. And it was totally wrong for the story and I had to cut it all out. That’s not to say it was worthless, it might even be transformed into a little side novella, but I realised how important it is not to let people into your head as you’re writing.

KS: That’s good advice! I think that was one place where having a definite idea of where my trilogy/story was going helped me. People wanted certain things to happen, and I already knew “no, that’s not going to be a thing,” or “I think this person will be happy about where this goes.”

CJ: Yes, that would really help. Probably a big advantage of trilogies over standalones
Did you know how the whole thing was going to end by the way, from the start?

KS: I knew a few big things, but not exactly how they would happen or how everyone would get there. I’m glad I knew the things I did so I could get those ideas started in earlier books and build to them rather than throwing concepts in at the last minute, but I’m also glad I got to explore and be surprised.

To wrap up:  What do you think makes a strong sequel? You mentioned bad movie sequels. How do you avoid that?

CJ: For me a bad sequel is a sequel written for the wrong reasons. Bad Hollywood sequels for me stink of business men rubbing their hands at how much money they’ll be able to make from it. A sequel has to be written with as much artistic integrity as the first book, and if the story was done at book 1, then it needs to stay done at book 1.

KS: Thanks so much for taking time to chat with me about sequels! I think we’ll need to do this again some time. Unleash all of our ideas on all of those other topics on the world. 🙂

CJ: Thank you so much for having me, this was fun! We should definitely do it again, if only to cover some of our many, many tangents! 😉

Here’s the link to The Bloodless Assassin (which you should all definitely check out–one of my favourite indie books from the past few years), and to the sequel, The Black Orchid. You can find Celine here at her site.

Thanks for joining us!

-K


March Reads and Book Haul

I know, it’s a little late to be posting this. March is long gone, right? But better late than never, and it’s always fun to talk about books. 🙂

Of course, now I have to actually remember what I read in March…

Okay. According to Goodreads, I read Pure (Julianna Baggott), Iterate and Optimize (Sean Platt and Johnny B. Truant), Fifth Business (Robertson Davies), Landline (Rainbow Rowell), and Against Her Rules (Victoria Barbour). If you want to check out my reviews/ratings on those books, here’s the link to my Goodreads shelf.

Fifth Business was the high point of my reading last month. I read it in high school, and my teacher somehow managed to not ruin it while we were dissecting it. If I were taking a critical view I could find things to complain about, but I’m not. These days I’m sick of this reading slump and am desperate to enjoy books, so I don’t question it when I do. It’s a fascinating book. It’s funny that I say I don’t enjoy “Literature” and Can-Lit all that much, but some of my all-time favourite books fall into that genre. I guess I’m picky about it. I don’t care for self-importance or pretentious writing in books. When I find an amazing story without those flaws, though, I’ll enjoy it no matter what genre it makes its home in.

As for my March book haul… 

…we went to St. John’s, which meant that I got to go to Chapters. It’s four+ hours from my house, but is actually the closest proper bookstore I’ve got, so going is always exciting. That’s not to say I bought all of these new, though. I am on an author’s paycheque here, guys. I also hit Value Village and got lucky, so the balance here is 9 new and 8 used.

I’m particular about what books I’ll buy used, at least when I can afford to be. I try to only buy used when I wouldn’t ever buy the book new, so I know the author isn’t missing out on a sale. I buy used when I’m at least half-sure based on reviews or my own experience that I won’t enjoy them and probably won’t finish, but want to give them a fair shot anyway (the Mortal Instruments books and Hush, Hush), have heard of the book but am not curious to snap it up (All the Bright Things), if I’ve read and enjoyed the book but for some reason don’t want to buy new (I enjoyed Matched, but was really disappointed with the sequel, so it’s not a series I’m invested enough in to buy new for my shelf), or books that I’ve lost or worn out old copies of (The Shipping News). And antique books, of course. Can’t really buy those new.

And if I do enjoy those books I’m iffy on, I’ll either grab new copies or leave good reviews to thank the author. One of those “do unto others” situations, I guess. Money’s not the only way readers can help us out, though purchases are always appreciated!

As for the new books, Throne of Glass is one of my favourite YA Fantasy books. I didn’t adore Crown of Midnight, but part of that might have been the fact that I caved and bought the massive, uncomfortable hardcover before the paperback came out*, so I bought that and whatever else of the series I could find in paperback. Hard as Ice is book two in the Heart’s Ease series. I really enjoyed Against Her Rules in spite of it being very much a SERIOUSLY GUYS ROMANCE NOVEL (the Newfoundland setting and competent writing really helped there), which I’d picked up at the library. Promise of Shadows and The Girl Who Circumnavigated blah blah blah (sorry, I can’t even remember the title long enough to type it out after I scroll down) were $5.99 bargain books that looked interesting, so I grabbed them. The Sandman was a gift from my graphic novel-loving husband who was terribly excited to hear that I wanted to start the series, the drawing book is a project for me and one of the kids to work on together, and You Are A Badass was… well, I want to understand my own badassness, man.

I’m getting there. And I’ve actually finished and reviewed that one on Goodreads, but that’ll fall under April here.

I also picked up some books on my Kindle this month, mostly business stuff about writing cover copy and book outlines and… *yawn*

My next book haul will be less exciting. I’m doing a “no spend” month, or as close to it as I can. I have a signed paperback of an upcoming release ordered, and if a certain Kickstarter campaign gets funded, I’m on the hook there. But we can still chat about reading and stuff.

If I remember to post again. O.o

TELL ME: What did you read last month? Are you a fan of anything in my book haul pic? No spoilers, please!

*I’m resisting the urge to rant AGAIN against publishers who do that. I hate it. So much. Just let us choose what format we want on release day. Thanks.

 


Deconstructing Damsport: a round the world tour of the research and inspiration behind the creation of the city

Fantastic insight into the building of an amazing Fantasy world. I absolutely fell in love with Damsport and its inhabitabts when I read The Viper and the Urchin (now titled The Bloodless Assassin, which is really fitting). It’s one of those books that deserves WAY more hype than it gets. Read this post, then check it out! Book two is out April 9.

Celine Jeanjean's avatarCeline Jeanjean's Blog: Down the Rabbit Hole

orchid_promoVery excitingly, The Black Orchid, book 2 in the Rory and Longinus saga, is now available to pre-order. To celebrate, I thought I’d let you take a peek behind the curtain of Damsport’s creation. I’ve been interviewing authors about their research for a little while but I have yet to put myself under the microscope, as it were. Now I won’t interview myself because that’s just too meta, but I thought I’d share the inspirations that went into creating Damsport.

Picasso famously said: “Good artists borrow; great artists steal.” I won’t go as far as to say that I’m a great artist, but one of the things I love to do is to steal — and I steal a great deal, from all over the place. It’ll come as no surprise that I stole from Victorian London, and I purposefully gave a little nod to Dickens in creating…

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To Self-Publish, or Not To Self-Publish?

TBT: March 2013. It’s funny how little my thoughts on the pros and cons of each path have changed (though obviously I did make a decision, and it’s one I’m 100% sure was right for the Bound trilogy). As I consider whether to query a future project, I find the same hesitations popping up again… but that’s a post for another day. 🙂

Kate Sparkes's avatardisregard the prologue

It’s a serious question. Increasingly so, in fact. A few years ago you heard of the odd success story (and even that one was discovered “by chance” and then traditionally published), but that’s just what they were: odd. Self-publishing was the road you took when your book wasn’t good enough to be accepted by a traditional publisher– at least, that was the perception. Still is for most people I know.

And now? Well, now there are people publishing their own work to e-readers and/or print-on-demand companies like CreateSpace and selling hundreds of thousands of copies. Hardly what you’d expect from a book that’s “not good enough,” is it? People are turning down offers from “real” publishers because the benefits of going it alone are very real.

For some people.

This is a tough topic, and I’m working out the questions for myself in this post. Please offer advice in the…

View original post 1,494 more words


Passion Project

So… I thought I’d post a little update here. Not just a follow-up to what we talked about a few weeks ago (though I would like to thank everyone who jumped in with comments and your own stories, as it’s good to know that sharing was helpful to some of you), but to give you a peek into what’s happening in my wee story workshop right now.

My work has been fairly predictable for the past few years as I focused on getting the Bound Trilogy finished. It was narrow in focus, high-pressure, and a huge learning experience for me as a new author who never really expected anyone to read my first book. Things are changing, and I’m so excited to talk a little about what I’ve got on the go right now.

Into Elurien, my contribution to the very exciting Skeleton Key Book Series, is with a capable editor right now. The same one who edited At Any Cost for me, actually.* This project pushes the upper limit of suggested word count for the series, but keeping it small was still a big challenge for me. I wanted to satisfy my readers’ expectations for worldbuilding, character development, quality writing, and exciting plot while I satisfied the series’ demands of romance, length, and subject matter, and this one didn’t want to be a smaller story. But I did it, and I love it.

I finished post-critique edits for that about three weeks early, which means I’m expecting a bomb to go off during editing that will leave me with massive clean-up to do, but I’ve got time to deal with that. Into Elurien will be available for pre-order mid-May and release in June, along with a few dozen other books by amazing authors. Watch here for information on the cover reveal (though if you know where to look, you might be able to find it early!), and for more details on the story as pre-order day gets closer.

So that brings us to what I’m working on now.

It’s big. Not in word count (I’m aiming for under 100K words), but in the magnitude of the challenge. It’s a story that has its backstory roots hundreds of years before the main plot, told in third person POV–not my first choice, but necessary if I want to make the structure that I want work properly. It’s a little dystopian in mood and theme, basically utopian in practice (except for one wee, horrible detail), and involves a style of storytelling that people are either going to love or hate.

And right now, it’s a massive challenge. I started drafting, scrapped most of the 11,000 words I wrote in that first week, stepped back, and took another week to get to know my characters better through a questionnaire so deep that I don’t think I could answer all of the questions for myself. I am finding it difficult to find their voices when they’re not speaking onto the page (I really miss first person!), but I’m getting there. I’m back to the writing now, and it’s going a bit more smoothly.

This is one of those stories that’s so amazing in my head that there’s no way I’ll replicate it perfectly on the page. That’s been true of every story I’ve ever written, but it’s really staring me in the face this time. I expect this one will teach me a lot during the revision process, and more through edits. That’s always the goal, you know. I have a whole lot to learn about the art and craft of storytelling, and doing it (and getting professional feedback) is the best way to learn.

It’s definitely a passion project, and I’m writing it because I’m in love, not because it seems like it’s going to make me more money than anything else in the idea file. It’s not on a tight deadline. Not hotly anticipated like a sequel to something else would be. It’s something I can take my time with (within reason; edits are booked for February), experiment with, and release because it’s a story I think deserves to be told.

And it’s going to be amazing. In terms of the base idea of the story, it’s probably most exciting, high-concept one I’ve had. I just need to figure out how to make that promise a reality on the page.

(Side note to anyone who has The Best Story Idea Ever and thinks they could write a bestseller if they only had the time: The blockbuster idea is the easy part, and on its own means nothing. I know, I was sad to hear that, too. But great ideas really are a dime a dozen. A CANADIAN dime, even.)

But I can’t think about the end right now, about releasing it and how excited my regular readers will be about this thrilling, heartbreaking, twisty and turny, myth-topian thing. Right now it’s one day at a time, getting the words out. I’m on a bad cycle for headaches, which means my brain’s not working, and I’m still dealing with depression and anxiety (though I am getting them under control). My focus and attention are almost nonexistent. That means taking it slow when I need to, forgiving myself for not hitting my usual 5,000+ words a day (yesterday I only got 1800), and letting things develop at their own pace.

img_8262

Planners are 
fun 😀

It’s what I want, right? Less pressure. More time to let things stew and develop. More time for my subconscious to make connections within the story like it did when I was building the world that Bound took place in. But it’s scary, too. Momentum is considered such a desirable thing in this industry that taking time off or slowing down feels wrong.

But it’s necessary for me. I’m learning my limits. I’m learning that I recently pushed myself past them, and I’m still recovering from that. And I’m learning how to do this thing my way. It’s not the “here’s how to sell a million books on Kindle” way, but it’s mine.

Pushing harder isn’t always the answer. We’ll see how getting back to the place where writing was my playground works out for this one. 🙂

 

 

 

*And thank goodness for Sue Archer, because my regular editor is now booking a year in advance! Hence the February deadline for the new project…


COVER REVEAL: A More Complicated Fairytale by Emily Witt

Hey, everyone! Yes, it’s time again for a cover reveal–this time for Emily Witt, who you may remember as the current host of WIPpet Wednesday (and if you’re perusing the links for that weekly event, you’ve probably read a few snippets of her work). This is the book that Emily was posting snippets from way back when I joined WIPpet Wednesday, so it’s wonderful to see its release date approaching.

Take it away, Emily!

AMCFTsmall

Title: A More Complicated Fairytale
Author: Emily Witt

Release day: April 02, 2016

 Blurb:

Most of the young women in Nardowyn swoon over Crown Prince Felipe, but Caitlin has never seen the appeal. When she catches his eye during a royal festival, she has little choice but to begrudgingly go along with his attempts to form a friendship between them, and soon learns that there is more to him than meets the eye.

When Felipe goes to war to avenge the death of his brother, Cait enlists as a nurse to be nearer to him. Here, Cait’s connection to the prince will put her in more danger than she can imagine. But Cait’s never been one to take the easy way out, so if her life is going to turn into some sort of fairy tale, with a prince and a happily ever after, it’s no surprise it will be a more complicated one.

 

Author Bio:

Emily has been writing since the age of six, but only recently developed the skill of finishing the projects that she starts (and even then, only sometimes). She is currently studying for a Masters in Museum and Heritage Studies and works at the National Library of Australia. In her spare time she can be found watching Doctor Who or curled up on the couch with a hot chocolate and a good book.

author-photo

 

You can visit her blog for more information::

http://keysandopenmind.wordpress.com

And also her Facebook page:

http://www.facebook.com/keysandopenmind

 

Cover design:

Thanks to the very awesome K. L. Schwengel – http://klschwengel.com

 

Excerpt:

Towards the middle of the afternoon, they came across a wooden stage with a banner across the top bearing the words ‘Alfonso the Magnificent, Grand Illusionist’. On the stage, a man was describing the great feats of illusion that the crowds would witness when the show started in ten minutes. Neither Cait nor Ava had ever seen a magic show before, so they bought tickets and found themselves good seats.

 

For the next three-quarters of an hour, they witnessed mind-reading, card tricks and even a woman being sawn in half! Even Cait had been on the edge of her seat for that finale.

 

When Alfonso the Magnificent had taken his final bows and disappeared from the stage, Cait turned to Ava. “What did you think?” she asked.

 

“That was spectacular!” Ava replied. “How do you think he did that last one?”

 

“There were two women in the box,” said a hooded man who had been sitting on Cait’s other side. “That’s the only way it could be done.”

 

“Do you think so?” Ava leaned across Cait a little to speak to the man and in doing so, recognised the face under the hood. She sat back again, quickly. “Cait, it’s -”

 

The cloaked man held up a finger to quickly quiet her. “Please don’t give me away. I’m trying to avoid my guards at the moment.”

 

He lowered his hood and Cait realised why Ava had been so surprised. She looked at Ava. “Well, won’t Ginny and Bridget be jealous?” She looked back to Prince Felipe with a wry smile. “Our younger sisters are big fans of yours, your Highness. We tried telling them it was unlikely any of us would see you here, but they kept their hopes up. I’m sure they’re going to be frightfully upset about this.”

 

“Well, I suppose you were right to discourage them. I’m not supposed to be spending my time at magic shows designed to entertain the masses. In fact, I believe I should be dining with the Princess Royal of Brellalan at this very moment.”

 

“Then why aren’t you?”

 

Cait didn’t mean to ask such a direct – and perhaps slightly accusatory – question, not to the prince, but it was out of her mouth before she could remind herself who she was talking to.

 

The prince did not seem too perturbed, though. “Have you ever had to spend time with women who have been raised only to aspire to one day marry a prince?”

 

“I can’t say that I have, Your Highness.”

 

“Then count yourself lucky. I would much rather spend my time at magic shows in the company of such charming ladies as you and your friend, than dining with any of them.”

 

As he spoke the words, a yell was heard behind them, and the prince looked up with a start. Someone shouted “There!” and a group of red-uniformed men of the palace guard pointed towards Cait, Ava and Prince Felipe.

 

Glancing back at Cait and Ava, the prince quickly stood and replaced his hood over his head. “It’s been lovely,” he said with a nod, and then leapt across three benches and off in the opposite direction to the guards. They shouted again and ran after him, but Cait saw him quickly blend in with the crowds and silently wished the guards luck. They were probably going to need it.

 

 


Okay, Up Yours, WordPress

Sorry for the multiple posts, guys. Anyone who subscribes via email is probably ready to smack me.

I tried reblogging that post, but the reblog button was gone. So I tried “Press This,” and it gave me an error message and no post. THEN I tried just linking it, which worked, but of course the Press This thing suddenly was working.

My love-hate relationship with WordPress grows stronger every day.

*boop beep boop* SHUT UP AND GIVE ME MY GOOGLE SEARCH REFERRAL STATS BACK.

Okay. I feel better. Guess I’ll go delete one of those posts.

ETA: The reblog button is suddenly back. *headdesk*

 


TBT: Worst Character Description Ever

I’d like to just reblog this throwback post from March 2013, but I can’t. WordPress is no longer giving me the option. And that’s AWKWARD.

Ugh.

Anyway, here’s a very pretty link (eyeroll) to a post in which I wrote the worst character description I possibly could… and it came out sounding like only a small exaggeration of some that I’ve read since then. 😉

click on if you need more zombie capybaras in your life.

 

https://disregardtheprologue.com/2013/03/28/since-were-talking-about-character-descriptions/


Adjusting My Sails (part 2)

Okay. Last week, we talked a little about the depression I’ve been battling for a couple of months. Not a new thing for me, not the worst fight I’ve faced with it, but a seriously shit situation for a person to be in. We talked about some of the things that I, personally, have been doing to fight back, and I said we’d talk a bit about how I’m climbing out of the pit.

I made it clear that I think it’s important to talk about this stuff. If it’s in the dark, it feels shameful. And the stigma re: mental health issues is stupid. So we’re talking. I also made it clear that anything I say about my approach to feeling better is my approach, and is not intended to be advice. My hope is that sharing my experiences will help someone else feel okay about doing what he/she needs to do to get help and feel better.

/end blabbering

So, self-therapy… sort of.

I don’t have a psychiatrist here in town. I don’t have a psychologist or a therapist. But I do have a brain that knows how to be curious if I can catch its attention, and I remember how to ask questions. So a few weeks ago when I had the energy and a little break from the mental fog that I constantly find myself lost in, I sat myself down and asked hard questions.*

Step one was to name what I was feeling beyond depressed. Low and flat were a good place to start. So was anxious. But guys, I’m a writer. I knew I could do better than that. So defeated followed them onto the list. Overwhelmed. Pressured. Afraid. Ashamed. Not good enough.

Okay. But I can’t argue with feelings. I can’t just “be positive” to counteract the negative. I needed to dig deeper, to find the thoughts that were leading to those feelings. Those I can argue with. (BTW, I learned this while getting outpatient therapy during rounds one and two with depression. I highly recommend professional medical help. And I think they should teach this stuff in school).

It took me five pages (double-sided) of asking myself questions, each one digging deeper into the answer to the last, to get to the bottom of things. And it all came back to one issue.

My work as a writer.

Oof. That was tough for me, because writing is one of my top weapons in my everyday fight against depression. I feel good when I’m using my imagination, working through story problems, getting to know characters. But I couldn’t deny that the business side of writing (the publishing schedule, the pressure to get the next thing out, the very helpful advice at every turn on How To Be A Successful Indie Author, the numbers, the sales, the marketing)… those things were wearing me down. Enough so that when a trigger came in the form of a drug that screwed with my brain chemistry, I couldn’t pull out of that nosedive.

Chemistry, thought patterns, habits, attitudes… it all matters.

What I realized is that I’ve been feeling like I should follow a path that isn’t meant for me. I’ve been comparing myself to people who aren’t chasing the goals that I am, who have different opportunities and needs in their lives. I’ve known it felt wrong for me, but never questioned the assumption that I should want what’s held up as the ideal in this career. I was applying other people’s standards of success to my own journey, and I was falling short.

And it was seriously stressing me out.

^ That answer there is the rope I’ve been using to pull myself out of the pit. I’m adjusting my thoughts and my attitudes to point me toward daylight instead of deeper into the dark.

I’m working on figuring out what my journey should entail, and it’s not what I’ve been told success looks like. It’s not chasing sales and bestsellerdom. It’s not doing whatever it takes to get 20,000 newsletter subscribers. It’s not churning out a book a month and trying to be the #1 ranked author on Amazon. It’s not working 12 hours a day and neglecting my family so I can maintain my momentum.

Those might be wonderful choices for other people who have different goals. They’re not for me. I can’t do those things and maintain my mental health or be happy with the work I still rely on to keep me level.

While I’m still working out what is for me, it looks a lot more like this: Balance between home and work, even if that means I can’t produce books at a rate that’s considered effective for an indie author. It looks like my books getting as much time and work as they need to be the best they can be, not just good enough to publish and move on to the next thing. It’s fewer books than I’m technically capable of shooting out, but better ones than I’d create at top speed. Writing the stories that I want to read, not writing in a genre because it sells a lot of books. Leaving room in my schedule for opportunities that pop up, but choosing to say “yes” based on whether they further my creative goals rather than whether they might boost sales.

This is all scarier than it might look. Everything I read about being a successful author talks about tracking effectiveness of Facebook ads, A/B testing, giving away Kindles to get people onto your mailing list regardless of whether they want to read your books, blogging with a focus on SEO, figuring out Amazon’s algorithms, targeting popular genres, writing for the market.

And I’m turning my back on those things with the understanding that while they might be very good for other authors, they’re not good for me.

I have to define success on my own terms, but I still have to make a living while I do it. It’s  a scary tightrope to be standing on.

Now that I’m aware of that problem, I can spot the negative thoughts when they creep in, and I can answer them. Not with anger. I don’t need to be mad at any part of myself right now. But with reason and gentle reminders.

Other authors sell more books than me.

Other authors write in genres that sell more books, or have larger backlists, or are more marketing oriented (which is not even a little difficult). Sales are not a measure of quality, and they’re not how I’m measuring my success. Even if they were, I do very well, all things considered.

You have to put out a book every few months, or readers will forget about you.

It’s true that frequent releases help an author’s work stay visible on Amazon. There’s no getting around the fact that I lose momentum between books. But readers didn’t forget about me during the 8 months between Bound and Torn, or the 9 months between Torn and Sworn. Traditionally published authors who produce solid, well-crafted work might go a year between releases and not be forgotten. Give readers a little credit. They’ll remember quality.

Other authors spend way less on editing.

Other authors aren’t writing my books, and aren’t necessarily writing for the same audience. My first audience is me, and I require that this work be done to the highest possible standard before I’m satisfied.  Other authors and their approaches aren’t my business. My books and my readers are.

You could be writing right now.

I could. But I choose to do homework with the kids and walk the dog because having a life outside of work makes me a better writer and a healthier me, even when my obsessive mind wants to be working all the time. I do better work when my brain gets a break. And my family needs me.

Get the idea? It’s a constant struggle. Honestly, sometimes I don’t have the energy to stay on top of it. Negativity and comparisons are easy, just like junk food is easier than roasting a chicken and putting a salad together. But I’m trying. I’m fighting.

And I’m changing my attitudes, and pulling myself out of the pit a little at a time.

INTERESTING NOTE: After I’d figured all of this out and after I’d drafted this post, I listened to Self-Publishing Podcast episode 198, The Future of Publishing. At about 30 minutes in, they started talking about EXACTLY what I’d decided for myself: a focus on quality, competing on that instead of price, writing with the goal of producing work that will still hold up in ten or twenty years rather than whatever is selling this week. They even used the analogy I’d come up with for myself (the coffee one, if you’re listening), right down to the “there’s nothing wrong with cheap coffee, but it’s not what I’m working on” angle. It’s interesting, and worth a listen. And it was a really cool kind of confirmation that I’m not alone, and maybe I’m not crazy here.

 

 

*See, depression is a weird illness. It’s physical, a chemical imbalance that I inherited from one of my parents. But just like heart disease is both hereditary and affected by lifestyle choices, so is depression. Instead of watching my diet,** I have to examine what I’m feeding my brain: what I’m paying attention to, what attitudes and ideas I’m ruminating on that are turning my brain into a ticking time bomb.

And judging my the difficulty I was having dragging myself out of the pit after I got off of those pills, I guessed that I’d let my diet go bad. I just didn’t know exactly where.

**Okay, so I have to watch that as well


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