Tag Archives: self-publishing

The Things I Did Wrong

Here’s another post that’s mostly of interest to fellow writers. Several people have asked me about how I launched the book, how I get reviews, how it got noticed by Amazon… often my response is a blank stare, but here’s what I did. Hope it helps! Just remember that you have to do what’s right for YOUR book.

 

There’s a lot of advice out there for self-publishers. I’m not going to add to it. I don’t have enough experience to advise anyone on anything, though I’m happy to point you to resources that have helped me (see end of this post).

Actually… according to the advice I’ve read, I’m doing a lot of things wrong. That’s not to say it hasn’t worked out for me. Bound has had a decent run at the top of a few sub-category best-seller lists, and has sold more e-books in its first few months than I projected for its first few years (Don’t be too impressed– I’m a conservative estimator). But according to a lot of people*, I did all of this wrong:

  • I didn’t launch the book at free or 99 cents.
  • I didn’t go exclusive with Amazon’s KDP Select. Because of that, my book is not available through Kindle Lending Library or Kindle Universe.
  • I invested a not-small chunk of change in editing my first book, before I knew I had an audience and before I knew I could make the money back.
  • I released at the beginning of the summer sales slump.
  • I didn’t pay for a blog tour, get into the big e-mail newsletters, spam Twitter, do follow-backs to gain followers on Twitter or Facebook, or pay for any advertising outside of a $6 Fussy Librarian spot (which didn’t seem to do anything, but hey. $6 for exposure, right?)
  • I didn’t have several books ready to go all at once.
  • I didn’t contact a lot of book bloggers.

That’s… that’s a lot of stuff I did wrong. Okay, maybe not wrong, but it went against a lot of advice. I followed my gut on these things, and I know that I’m lucky it’s paid off so far. That’s why I’m not saying “DO THIS, DO IT NOW.” Your Mileage May Vary is a HUGE thing. But if you’re curious…

Here’s what I did instead:

  • I started with an intro sale price of $2.99 to thank friends, family, and blog readers who were already supporting me, and also to make it easier for readers to take a chance on an unknown author. This lasted two months, and then the price went up to $4.99. Both prices are great value. That’s not to say I’ll never do a low-price promotion in the future, but I’m glad I started out at 70% royalties with Amazon. The $2.99 price point paid for the next book.
  • I uploaded to Amazon through KDP, and to Kobo, B&N, and iBooks through Draft2Digital (because the Smashwords meatgrinder was intimidating, and D2D is super simple). Sales at the other stores are 1/50 to 1/100 of what they are at Amazon (yes, combined). There have been times when I considered going exclusive, but I know it takes time to gain traction at those other places. And Amazon has been amazing. They have not penalized my book in any way for being non-exclusive. They just want to make money, and even if my sales are a drop in the proverbial bucket for them, they’ve been good to me so far. Select is a fantastic tool, and can be really helpful for gaining visibility, so it’s the preference for many authors when a book first comes out. I just want to point out that it’s not an absolute necessity if you’re as uncomfortable with exclusivity as I am.
  • see here for more on the editing experience. It was amazing, and I have no regrets.
  • I have no idea how the book would have done if I’d waited to release in the autumn, or at Christmas. Maybe it would have done better. Maybe a lot worse. Maybe it would have been competing with bigger releases, or maybe there would have been more people buying when it was topping those little lists, and I would have made more sales. I’m not experienced enough to say. But I’m not complaining about how things have gone, and I hope I gave some people an enjoyable summer read.
  • As to the e-mail lists, they probably would have helped if I’d released at 99 cents, but above that I don’t know that subscribers pay much attention. Keeping this one in the arsenal for later, as I do think they’re a great way to get the word out about sales/promos. And blog tours… well, I didn’t have an official one, but I’ve had some amazing, kind, and helpful fellow writers offer to host me for interviews, and I think that helped get the word out. I am so grateful to everyone who has done that, or who helped out with the cover reveal and release announcements. You’re the best. Also, acquaintances/friends/blog followers who read the book early on and went out of your way to share it with friends… you’re superstars. /end sappiness
  • Oh, and those Twitter follow-backs, yadda yadda… I still don’t see the point of having 10,000 followers if no one is actually interested in what you have to say, and only follwed you to inflate their own numbers. I do try to follow people who follow me on Twitter, but if you’re only posting #promo #promo #buymybook, I’m not going to stick around to keep you as a follower. Sorry. (But hey, if you tweet real, original thoughts, make me think or laugh, or reply to my stuff in a non-promo way, I’ll stick around through whatever occasional promos you put out there. Well done. Let’s be friends!)
  • Book two is coming out sooner than it probably would with a big publisher (8-9 months after book one, probably), but I can’t put out a book every two months like some people can. Is that going to hurt me? Will readers forget about the series before book two comes out, or stop caring? Maybe. Time will tell. But I hope my most passionate readers will get the word out again when the time comes. And they say not to promote your first book because you don’t want to hit it big when you don’t have more to sell to new fans. Well… I didn’t promote, but things have gone pretty well, and I have nothing in the back to offer people right now. We’ll see what happens.
  • I do wish I’d contacted more bloggers for reviews, but I’m shy. I’m also polite, and won’t send form letters or mass e-mails, so researching and writing requests/offers is time-consuming. But I should do it. Book bloggers/reviewers are amazing people who put their personal time and effort into adding value to the reading community, and I want to get to know more of them.

So there it is. I didn’t do it all wrong, of course. I did some things right:

  • I used keywords to get the book into relevant sub-categories on Amazon so that it would come up on Best Sellers and Hot New Release lists sooner than it would in the big ones.
  • I put a (polite, no-pressure) note in the back of the book saying how important reviews and recommendations are to a new book/author, and asked those who loved the book to share it.
  • I sent out Advance Reading/Review Copies (ARCs). Not as many as most people do, I think, but they went out, and most people followed through with reviews.
  • I wrote the story I wanted to read, not the one I thought the market wanted. Actually… this would be considered wrong by some, but it was the right thing for me. And I made it a good book with the help of incredible beta readers and a good editor. It’s not a perfect book. There is no perfect book. But it’s the one I set out to write, and it delivers good value to readers, and that knowledge helps me shrug off bad reviews from people who find it’s not their cup of tea.
  • I paid for good cover art from an artist who knows what looks good and what sells. I listened to her advice when it went against my personal preferences, and it worked out beautifully. She let me help (cover model selection, font choice out of a few she liked), but I let her lead based on the book info I’d sent. I really need to to a post on that some day. There are beautiful, high-quality pre-made covers out there, but none of them fit my book. This does, and I’ve lost count of the number of people who have said they gave Bound a chance because of the cover.
  • I ripped my hair out for two weeks over writing a blurb (sales copy) that seems to be fairly effective, and I made sure the Amazon sample was both good AND representative of the entire book.

If you’re looking for indie publishing resources, I’ll list a few of the ones that helped me below**. Thanks for stopping by, and I hope this has been helpful for someone. Just remember: I am not qualified to give advice. This is just what worked for me. I’m not an expert. A book does not a career make, yadda yadda. ‘kay? Good.

*Yes, according to some people I did these things right, too. Conflicting advice is conflicting. It’s just a fun way to frame the discussion of something people keep asking about. 🙂

**Please note that though none of these authors pay me for promotion, I am using Amazon affiliate links and receive an itty-bitty bit of money if you buy through them. Well… I will if I set it up right.  It costs you nothing extra, but does help me out. 🙂

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The Things I’m Learning: Working With an Editor

In this series of posts, I’m sharing a few of the things that surprised me about publishing a book, as well as things I wish I’d known before I started. This is all personal experience and personal opinion, shared in case it helps someone. Your mileage may vary.

This is going to be a long post, and not of interest to everyone. Feel free to skip this one and join the party next week, or skip to the TL;DR version at the bottom. And again, this is about my choices and experiences. My way is not the only way. You can do it your way, and I respect that. We all cool?

I get a lot of questions about my editor: why I chose to use one, how I decided who to work with, how much it cost, what the process was like, and whether the decision has paid off. I think it was one of the best decisions I made for my book, so I thought I’d answer some of those questions today.

…And then I really need to get back to my real work, which means getting Torn ready for beta readers, who look at it before my editor does (more on that later).

So. Once I made the decision to publish independently*, I knew I wasn’t going to put out anything that was less than the best, most professional work I could produce. I know there’s a popular school of thought that says do your best, publish and move on, and then pay for editing later if there’s enough interest in the book. I can’t do that. My perfectionism will not allow do-overs, so it had to be right the first time.

In my case, that meant hiring an editor.

I had done my research already. I knew I wanted developmental editing, because though the story was as good as I could make it, and my beta readers were AMAZING, I knew it still had weak spots. I knew it needed line edits, because no one can catch all of his/her own errors. Also, the number one criticism I see on indie/self-pub books in reviews is “this could have used an editor,” and I didn’t want to put my readers through that.

(For anyone wondering, developmental editing = critiquing the story, finding plot holes/character inconsistencies, pointing out missed opportunities for kicking things up a notch… whatever. This can be done any time from the planning phase through edits. Line editing is fixing grammatical errors, changing sentence structure to be clearer or flow better, probably changing that string of three consecutive “ing” words up there, noting confusing sentences/blocking, etc. Some people call this copy editing, and define line editing differently, but this is what I was looking for.)

I had a list of a few editors to check out. There are a some whose blogs I follow who seem fantastic, and who are on my list for future projects, but I had one more item on my list: I wanted someone with experience in Fantasy. That narrowed the list down. While I would trust many professional, experienced editors to do line edits, I needed someone who knew world-building and magic systems.

Enter editor Joshua Essoe.

I’d been listening to the Hide and Create podcast for a few months, and knew that he knew his stuff. I liked what he said about those issues I mentioned above. I liked how he described his approach to editing. People seemed pleased with his work. I went to his website, looked things over, and decided to send my sample pages in and get an estimate.

I was so nervous. I hate sending my work out for critique, and this was the real thing. Someone was going to tell me how my work sucked so I could pay him money to tell me MORE about how my work sucked. Sweet deal, right?

Anyway, it was fine. He actually thought the first five pages were pretty good, but he made some line edits. I changed things, read it through, and knew I’d found my guy. He didn’t mess with my character’s voice, just made things smoother and clearer, and asked questions that helped me make the setting and character movements clearer.

The next question, of course, was money. I don’t like to talk about money. Monsieur Joshua Essoe charges an hourly rate (posted on his site if you’re THAT curious), and gives an estimate based on the sample and how long he thinks it will take to edit the full book. The estimate is subject to change, of course. If a mechanic gives you an estimate on changing your oil, then opens the hood to find the engine plastered in cat crap and roadkill (not to mention the parts that are falling off), your price is going to go up. Likewise for an editor who charges by the hour.** My estimate came in at something just north of 50 hours.

So yeah, it was a big decision. I had to talk it over with AJ, and explain that there was a good chance that this book wouldn’t earn that money back. Most books, especially first ones, don’t “earn out,” and any profits would need to go toward the next book’s production costs***. We’d have to think of it as an educational expense; I wanted an editor more than I wanted to take a few courses or try to go to a convention. More than just getting this one story fixed, I wanted to know where my writing needed to improve, and I knew I’d get that. It was an investment in me and my business, and (may all the gods of Tyrea bless him forever), AJ voted that I should go ahead with it.

I was shaking when I hit “send.” I may have barfed. Wait, maybe that was when I published. In any case, for the two weeks My Editor (yes, it’s fun to say that) had the book I was tense, jumpy, nervous… a joy to be around in all respects. He sent an updated estimate half-way through (not much change, but considerate of him nonetheless).

Was I nervous that I was wasting my our money? You bet. Terrified, in fact. What if it wasn’t worth it? What if Señor Joshua Essoe thought it was horrible and told me to change everything? What if he didn’t get what I was trying to do, and wanted to make the tone less modern and more TRADITIONAL, MEDIEVAL FANTASY? Ick. I mean, there’s nothing wrong with that, it’s just not what I like to read or write. What if it turned out my work was so horrible that I couldn’t publish, and had to give up writing, and had wasted our tax refund, and…

Sometimes having an over-active imagination sucks.

So then, on an evening in April, my phone binged its e-mail notification as I was getting ready for bed. By that point I was jumping to the ceiling every time that happened.

And there it was: Bound Edit Complete! And an attachment!

Nausea. Excitement. It was like Christmas morning, if we’d had the turkey the night before and it gave me salmonella.**** Obviously I wasn’t going to wait until morning to peek. AJ was working, the kids were in bed. Screw sleep, I had reading to do!

The editorial critique letter came in around 20 pages. This was the developmental editing, the big picture stuff, the things that would lead to revisions and scene re-writes.

And it was FANTASTIC.

That’s not to say it was all positive. Nooooooo sir.

The first paragraph was kind and wonderful. He said I was a good writer, that my characters were well-drawn and engaging, that he enjoyed the story right through.

The second paragraph said this: “If you feel like throwing things as you continue to go through the edit, come back and read that first paragraph again.”

Cue my nerves.

It was a fair warning, actually.

  • He critiqued my magic system, which seemed too broad and open, and allowed problems to be solved too easily. It wasn’t well-defined enough; that was my fault, as I’d accidentally edited much of the explain-y stuff out when I was trying to get the word-count down to trad-pub acceptable levels.
  • He reminded me that I had the ability to time-travel, to go back and set up important details early in the story so that they didn’t seem a little too convenient when they showed up later, or slow pacing when I had to explain them during exciting moments.
  • There were big issues with Aren’s character and motivation. Not surprising, given that he wasn’t even supposed to be a viewpoint character when I first came up with the concept for the story, or through most of the first draft.
  • The climax needed to be re-written, as it was too melodramatic.
  • He thought I should change the ending, and **SPOILER** suggested I not let certain aspects of the romantic storyline reach a conclusion until the next book.

There were other things, but I won’t list them all here. The letter concluded with another lovely paragraph about the book. More importantly, the body of the letter gave suggestions about how to fix the problems. *insert choirs of angels singing* And not only that, he had respected the story that I wanted to tell and the way I wanted to tell it.

So yeah, it was hard to hear there was so much room for improvement, but it made me sure I’d made the right decision in hiring my editor. I fell asleep that night with a huge grin on my face. It was going to take a lot of work, but this thing was going to be goooooood.

I read through the line notes the next day. These were done using Track Changes in Word– not my favourite program, but effective for this. There were changes to wording that I would accept or reject later. SO many of those. But more importantly, there were notes EVERYWHERE. Why would he do this? This statement doesn’t make sense. That concept needs to be explained sooner. Redundant. She wouldn’t be this comfortable with him yet. Cut. These characters are too stereotypical. There were also little notes that indicated personal reactions to the story, and those made it easier to get through the tough stuff: **cool!  **nice **this is awesome

My personal favourite correction.

My personal favourite correction.

Maybe it’s silly that I needed them, but those little bits of encouragement really made the whole thing a lot more pleasant. Yes, there were times when I made faces at the screen. Yes, in my sleep-deprived immaturity I may have giggled at the phrase “needs deeper penetration.” Yes, I did occasionally want to throw things.

In fact, what came next was the hardest work I’ve ever done on anything. I took the advice. I planned changes. I accepted most suggestions, and rejected a few (see aforementioned romantic conclusion and ending– truth is, I hate cliffhangers and unresolved romance as a reader, and I didn’t want to use them in this book. Not bad advice, just a personal decision. This is one of the reasons I went indie, after all). And at the end, I had a book I was truly proud of.

Was there anything I would change about the experience? I guess doing developmental and line edits separately would have been nice, though it would have been a LOT more expensive to have him take the time to do two passes. It would have allowed me to make the big changes and address major issues before he fixed up the smaller things. But keeping costs down was important at the time, too. And Joshua was great with follow-up stuff. I asked for clarification on a few points, bounced a few ideas off of him in e-mails, was probably a little annoying, and he was great about answering everything. He offered a wrap-up phone call, but I don’t really do phone stuff. E-mail it was. And he took a quick look at by cover copy and corrected a couple of grammatical/punctuation errors there, too.

Was it easy? No. My skin’s not as thick as it should be, though it’s getting tougher. But it was absolutely worth every dollar and every minute.

Is it for everyone? Probably not. I know I was lucky to be able to afford to do this (see aforementioned tax refund), and not everyone can. Many authors get by just fine without developmental editing, and line edits are usually cheaper. Some writers don’t work with editors at all. I’m sure people will read this and tell me I spent too much. That’s fine, if that’s your opinion. But my book came out of that editing so much stronger than it went in. It’s not a perfect book, but I’m confident that it’s the best I could make it.

Okay, there’s one typo. I need to fix that.

And yes, it has paid for itself already. I don’t like to talk money, but my fears about that were unfounded.

Before anyone asks, yes, Mr Essoe has agreed to work on Torn. If Bound hadn’t made enough money, I’d have had to find a cheaper route, but we’re good for now, and I’m thrilled about that. When my lovely, wonderful, and honest beta readers are done ripping it apart critiquing it, I’ll fix the problems they identify, and then send it off. Fewer problems = less for mister editor to fix = less expensive for me. I highly recommend doing it this way if you’re using an editor.

TL;DR VERSION

Why I decided to use an editor: The book was good, but I needed professional help if I wanted it to kick ass.

How I found mine: Heard him on a podcast, was blown away by the sample edit.

How much it cost: More than my first car, less than my current one.

Holy crap, really?: Yes.  This is a good post on what they do, and average rates. There’s another FANTASTIC post out there on why they charge as much as they do (taxes, business expenses, non-billable hours, etc), but I can’t find it. If anyone knows the one I’m talking about, please drop a link in the comments!

What the process was like: Amazing. Humbling. Uplifting. Inspiring. Confidence-boosting. Challenging. Grey-hair inducing. SWELL.

Has it paid off: In my case, absolutely. Your mileage may vary. This is all personal experience.

So I hope that helps someone, and now I have a post I can refer people to when they ask. WIN-WIN, guys.

*No, I don’t like the term self-published, because it has a stigma attached to it and because I don’t do it all myself. I operate like a micro-press that works with freelance editors, cover artists, and formatters. It just happens to only represent one author.

**Many do charge by word-count. I consider them brave souls!

*** General advice is to expect to release 3-5 books before you’re making much money, so that’s how I planned it.

****Sorry for that visual.


ROW80 Update- Falling off the Cliff Edition

Not literally. It’s just my first book‘s last few days of eligibility for Hot New Release lists on Amazon.com. My poor baby is going to feel the sting of being replaced by newer and younger books.

Le sigh.

But what the hell, right? It’s been an awesome run. I didn’t expect to see it on this list. Or here.

Fullscreen capture 2014-07-20 84034 AM.bmp

Or here. I am keeping this screenshot FOREVER.

Maybe its spot in a couple of sub-category best-seller lists will keep it afloat for a while. I actually have no idea how that usually works out, long-term. I’m torn between sharing EVERYTHING here in the interest of getting potentially helpful information out there for other writers, and just staying all shut-up because someone’s going to come along and say, “PFFT. IT’S JUST A COUPLE OF SUB-CATEGORIES, GET A LIFE, ROOKIE.”

It’s major for me. These little victories don’t take away the crippling self-doubt that most writers seem to struggle with, but they’re really nice.

Thanks again to everyone who’s read, reviewed, shared the book with friends, and offered support and encouragement in the past month. I hope I’ll see you all at the next release party. 🙂

Okay, update.

Goals were here, and right now mainly focus on getting Torn whipped into shape for readers and then my editor. Good news: I’m 1/3 of the way through. Bad news: Subtracting family vacation time (I’m going to go nuts if I can’t work, I swear), that leaves about 4 weeks to get through the other 70K+ words, which includes two new scenes and full re-writes of others, plus heavy revisions.

I can do this. I just hope my dear husband finds it in his heart to accept my frequent absences when I disappear to my office*. I also hope I can figure out how to not be distracted by social media, etc., which is my writing Kryptonite. The distraction, I mean, not social media specifically. If I didn’t have that, it would be something else. I don’t have ADD, but I definitely have CFF (Can’t F%$*ing Focus… not the Canadian Fencing Federation).

Once I get working, I’m fine for a good 20 minutes or so. It’s just settling into it that’s hard. That, and the kids hanging off of me, the Barbie doll chatting in my ear about how she’s the Salt Queen now, the rest of the “Are you done yet? Now? How about now?”

I feel like this is the main benefit of an office job. And I still don’t particularly want to work with a publisher, but I think my deadlines might carry more weight with people if I could say they came from somewhere other than me and the promise I made to readers. It’s a little frustrating.

Anyway. I’m pretty well on schedule, and that’s the important thing.

For anyone who doesn’t know, ROW80 is a writing challenge that lets you set your own flexible goals for each round. More information here. And if you’d like to check out some other people’s posts, click here! Join in any time at your own blog space if you feel so inclined.

In other news, I’m considering dropping out of this challenge. I’m not sure these posts are anything but boring for you guys, and they take time away from actual writing (my perfectionist tendencies and paranoia about how much to say about things have made this post take an hour and a half to write). Maybe I’ll just leave Sundays open for something fun and keep Wednesdays strictly WIPpetish. We’ll see.

Now. Back to work.

Wait, no. The kids are up. Later…

*It’s easy enough to find me. Down to basement, hang a left past the litter box ghetto. It’s the spot with the desk and the dragons and the crazy person.


The Things I’m Learning – The World Doesn’t Stop

In this series of posts, I’ll be sharing a few of the things that surprised me about publishing a book, as well as a few things I wish I’d known before I started. This is all personal experience and personal opinion, shared in case it helps someone. Your mileage may vary.

For a few weeks, my life revolved around getting a book out into the world.

There were formatting issues. Proof copies. Corrections. Panic. Excitement over “Your book is now live at ____” announcements. Tears over the first glimpse of a paperback. Party planning.

Party execution.*

Continuing struggles with my decision to not do any big promotion until I have more books out.

Trying to keep track of who wanted a signed paperback, who didn’t want one after I found out how much shipping a book costs when you live in Canada. Who had questions about how to get it elsewhere.

It’s been both fun and insane.

For me.

For the rest of the world, not so much. My family is happy for me and supportive, but I’m going to tell you a secret: Those dishes? They didn’t start doing themselves when I was e-mailing last-minute changes to my formatter.

That chicken thawing in the sink stubbornly refused to shake and/or bake itself when I was busy notifying people who won e-books at the Facebook party.

The kids still needed someone to remind them to put pants on before they answered the door, to make snacks for them, and to make sure they bathed at least twice over the course of those few weeks.

Even my headaches refused to take a vacation. They continue to insist on cutting in on my work time, whether it’s getting-a-book-out time or writing-the-next-one time.

I know. It’s crazy.

I consider myself fortunate to have a few friends who will patiently listen to my freak-outs, rants, and squeals of delight that I’m too shy to share with the wider world.

But for the most part, life really does just go on.

In a way, that’s good. It reminds me that this really isn’t the most important thing, even when it’s the most urgent. As much as I love this project, and as opposed as I am to taking a day off once in a while, there really is more to life.

I guess.  😉

Bound is now available in e-book and paperback

*But seriously, SO FUN.


Spotlight on Kate Sparkes

Joanne Guidoccio hosted me on her blog this morning, where I shared a few thoughts on my journey as I wrote and published “Bound.” Also, she spelled my name right, so she gets bonus points!

Thanks for having me, Joanne!

Joanne Guidoccio

For over a year, I have followed Kate’s blog and enjoyed her delightful take on the long and winding road to publication. Today, Kate is sharing more of that journey and celebrating the release of her debut novel, Bound.

Here’s Kate!

sparkes profile (2)It’s quiet here tonight. The kids are yelling outside, but in here… silence. The book is published. No more scurrying around, making last-minute changes. No more worrying about whether it’s going to be ready in time. Just me, a cat, a cup of tea, and room to breathe.

It feels very different from my life when I started writing this book. That was three and a half years ago– November 2010. Back then the kids were smaller, and always under-foot (or on lap, if I wanted to write). We lived in another province. I knew I wanted to be a writer, but had never actually finished a book. My…

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Hey, Look! It’s a book.

Like, a real book.

It came on Wednesday, delivered by a very nice man with a floofy mustache and a white van. I was crying before I even opened the box, because that’s how I roll when I’ve been waiting years for something.

No, not waiting. Fighting.

This has never been easy. I’ve never taken shortcuts, though there have been detours and unexpected destinations.

I have never worked this hard for anything, and it is totally, completely, mind-blowingly worth it.

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Six days to launch.

 


ROW80 Update: I Like Big Books and I Cannot Lie Edition

 

 

 

 

 

*pulls spider webs out of hair*

Please pardon my appearance. I’m in the depths of uploading a book to various thingies, and I’m afraid I haven’t had time to clean up.

*shakes off rat that’s gnawing on boot*

It’s been an interesting day, but it looks like things are working out. Yes, I broke down and paid someone to format for me. I know, time investment, yadda yadda. But the truth is that the book looks better than I ever could have managed on my own with my current skill set, and considering the troubleshooting my guy had to do today, I think my sanity is worth what I paid.

Actually, it was kind of amusing. I’m Canadian and he’s a Brit, so the e-mail replies read like a merry-go-round of apologies and thank-yous.

One of the problems stemmed from the high-ish page count of the book, which requires a deeper gutter (space between the spine and the text). Not a big deal once we identified the problem, but it took a few tries to get it. And then this came in the mail this afternoon…

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button by beanforest (etsy)

 

I thought it was kind of funny. 🙂

Bottom line is: I have delicious, beautiful, formatted files that I’m sending to ARC readers tonight. Everyone on my list as it stands, that is. Remember that thing where the basement flooded and I lost information on who was helping with the cover reveal? There’s a small chance that a name or two could have been lost from this list, as well. If you signed up and did’t get an e-mail today, just send me a message at kate.sparkes (at) live.ca and we’ll get you fixed up. It’s not personal, I promise!

And yes, I’m getting excited again. The cover art for the paperback nearly blew my mind. If all goes well I should have a copy of the book in my hands next week.

This frustrating, infuriating, beautiful book. I may cry.

If you haven’t added it to Goodreads yet, here’s the link. One ARC reader has rated, and is going to put a review up soon.

I think I should take a screenshot while this rating lasts.

So looking back on my goals for this round of ROW80…

  • editing FINISHED
  • proofreading FINISHED
  • formatting FINISHED
  • send out ARCs FINISHED
  • set up Facebook page (here) FINISHED
  • submit to KDP, D2D READY TO ROLL
  • submit to Createspace FINISHED
  • order proof copy PENDING
  • Revise Book 2 for JuNoWriMo… NOT GOING SO WELL

…but I’m letting myself off the hook as far as word count goes. I’m reading and making notes right now.

Side note: Holy crap, tax stuff is complicated and intimidating and annoying. I still have to call for my EIN and get that off to Amazon. Anyone who knows me knows that this is NOT my idea of a good time. Phone calls make me anxious.

But I have to do it if I don’t want them to withhold 30% of my money.

So I’ll do it.

Tomorrow.

So, how are things in your neck of the woods?

 


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