Author Archives: Kate Sparkes

About Kate Sparkes

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Kate Sparkes was born in Hamilton, Ontario, but now resides in Newfoundland, where she tries not to talk too much about the dragons she sees in the fog. She lives with five cats, two dogs, and just the right amount of humans. USA Today bestselling author of the Bound Trilogy (mature YA Fantasy), Into Elurien, and Vines and Vices. Writing dark, decadent, and deadly Urban Fantasy as Tanith Frost. www.katesparkes.com www.tanithfrost.com

Letter From Camp

Hidey-ho, readeroonies!

Hang on…

Sorry, got in summer camp mode there for a minute. Apparently a far-too-enthusiastic clown camp of some sort. Sorry about that.

Things are great here at Camp NaNo… at least, the part in my head. In there it’s all pleasantly cool breezes off the lake and clear sunsets just before campfire and s’more time, with writing and horseback riding in between activities.

Outside of my head, not so much.

Both of the kids have been sick for a week with a nasty head cold and occasional fever. We’re constantly battling over nose wipings and medicine takings, and nights have been rotten. Also, and I don’t want to perpetuate a stereotype here, but they both have what is generally known as “the man cold.” I’m needed at all times, which doesn’t leave a lot of time for writing.

I’m still hovering around 2,000 words. Not great.

But the week hasn’t been all bad, not by a long shot. I’m grateful that I’ve (thus far) escaped with only a slight stuffy nose and a few headaches. I had one day where we got out of the house and to the dollar store and Walmart, and it shall go down in history as “the day I got those super pretty notebooks.” That was the same day my paperback copy of the Deptford Trilogy came in the mail, and my sponsor goodies for camp. SWEET!

20130404-152821.jpg

Even better, the wonderful Jae at Lit and Scribbles featured me/this blog on Wednesday. Isn’t that nice? I’m very excited to see who else she’s got lined up to talk to this month– you should go check it out, too! New friends are always fun.

I guess that’s about all I have to report for the week. Almost done “final” (oh, it is to laugh!) revisions to chapter 6 and 7 of Bound, and I may have found the perfect critique partner if she decides to stick with me. The other new project still insists on bouncing around in my head, but that’s OK- I’ve got these new notebooks handy so I can brain-vomit the ideas out fairly quickly.

So far next week’s looking pretty quiet around here, but I have a few posts scheduled (one featuring many immoral things you don’t want to hear about). Don’t go too far, though; if anything interesting happens, or if I really need to procrastinate, I’ll be around.

Have a great weekend, everyone! Anybody got big plans?


Scrivener vs Yarny: Battle of the Writing Thingamajiggers

Remember when my computer died? That was sad. I do have a working replacement, but I’ve run into a problem:

It won’t run Scrivener for shit.

Not familiar with Scrivener? It’s a “non-linear” writing program originally developed for Mac (and which still has more features for Mac), but that was beta testing in 2010, just when I was doing my first NaNoWriMo. We’ll talk about features and stuff later. For now, I’ll just say that it’s been a life-saver for me, and works SO much better than Word/OpenOffice for working on a novel.

It worked fine on my old netbook. Occasionally it would go all (not responding) when I first started it up, but it always got over that pretty quickly, and everything was smooth sailing from there on in.

Now, not so much. On the “new” netbook, I can’t type ten words without it going (not responding), and half the time I’ll lose whatever I typed during the time it took for the program to come back. This leads to some odd, disjointed sentences, not to mention a lot of tooth-grinding, hair-pulling, “why am I even bothering” frustration.

It sucks, is what I’m saying.

I don’t know what the problem is. There’s a ton of memory space on the computer, and everything else runs fine. Would reinstalling the program help? I have no fecking clue. Tell me, please. (UPDATE: reinstalled, improved somewhat, still want a better computer)

Until I get it figured out, I have a few options: I can use OpenOffice, which doesn’t work for me until I get to the final editing stage, and even then I find it very frustrating not being able to just jump to whatever chapter and scene I want. Or there’s Yarny, which has many of the features I like from Scrivener, is online, and is free.

Hmm.

I’ve used Yarny for short stories before just to try it out, and I like it. Not as much as Scrivener, but… well, you know where we are with that. And it has some distinct advantages.

I don’t have a choice about what I’m using right now, but for anyone who’s curious about these programs, I thought I’d outline the features I use in each, the benefits as I see them, and the disadvantages. Because why not?

Click on the names for some far more professional information!

SCRIVENER:

I don’t know how I wrote anything before I tried this program (which offers a free 1 month trial and a huge purchase discount for NaNoWriMo winners). Oh, wait… I didn’t. Nothing that got long enough to be unmanageable in OO, anyway.

It’s a brilliant program, and I don’t even use half of the available features. Here’s how it works: You open a new project, and select what you’re writing: a novel, a screenplay, whatever. There’s a template for that! Let’s go with novel, shall we? Lovely. Here’s where it blows regular word programs out of the water: Each chapter is its own little folder, and they’re all lined up on the left side. Each scene can be written separately, as text within the folder. What’s the advantage of that? Two things: one, they’re all right there, and you can click on whatever scene you want to work on. Also, you can move them around! It’s fantastic. Drag and drop a scene to a different chapter, move it outside of the manuscript so it’s handy if you don’t want it right now but might need it later, rearrange scenes within a chapter to see how that looks, move them back. No highlighting, no cutting and pasting, no “where the heck did I put that?”

See?

See?

If this was the only feature worth mentioning, I’d still say the program was brilliant and worth what I paid for it.

But there’s more, and you can take a tour on their site here. If you like organizing scenes, etc. on index cards so you can storyboard before you write, they’ve got those. Make notes on them, move them around, color-code them, note what stage of writing each scene is in. Like to make a ton of character notes, or have outside reference materials you’d like to keep handy? There’s a place for those. Bring ’em on in!

scrivener index

^Index cards on corkboard. Isn’t that adorable?

And then at the end, you hit compile, choose your format (.doc, .rtf, .whatever), and there’s a professional-looking manuscript all prepped for you. Everything’s in the order you chose, nothing is included that you don’t want (like all of those character notes. Nobody wants to see that).

It’s professional-looking and easy on the eyes, and once you get the basic idea of what’s happening, it’s easy to use. There are advanced features that might be tougher; I don’t use ’em. They’re there if I need them, and there are lots of online tutorials.

EDITED TO ADD: I can’t believe I forgot this! Scrivener saves automatically every time you stop typing for a few seconds. This means that if, say, your 7-year old son (not looking at anyone specific right now) closes the program while you’re letting him use your computer, you won’t lose your work. Gotta love that.

Purchase price: $45 for PC, $56 for Mac (CDN)

http://literatureandlatte.com/

YARNY:

Yarny looks very different from Scrivener. It’s bright, it’s simple, it’s in your web browser. It offers the same basic feature I gushed about in Scrivener: you organize your project in “groups” (in a novel, these would likely be your chapters) and “snippets” (your scenes), and these can be moved around as you see fit. It also offers a space to put the extra stuff that’s not part of your document; it’s not as multimedia-compatible as Scrivener is, but there’s room for character sketches and world-building notes.

This was a short story, so there were no groups, only "snippets"

This was a short story, so there were no groups, only “snippets”

It is lacking in a lot of the features Scrivener offers: no index cards, none of the features I don’t use anyway (seriously, watch the scrivener video if you’re curious). I can’t say how it works for compiling projects, but it does connect to “publification,” whatever the heck that is**. Formatting is a bit of a problem, too; you can italicize *like this,* but if you then copy to another program, you’re screwed.***

There are advantages, though. For one thing, it’s free. You can upgrade to a paid version, but I don’t think the added features are worth the cost yet. Even better is the fact that it’s online. You’re “writing in the cloud,” and it saves your work automatically. No more paranoia about what happens if your computer crashes or your house burns down and takes everything with it, no more e-mailing chapters to yourself just to be sure. I’m not the only one who does that, am I?  I do wish they had an option to work offline, though. Not everywhere I work has internet access.

Another good feature is the part where you start typing away, and everything except for your work disappears until you need it again. All of those groups and snippets are gone. It’s just you and your page and your words.

One word of caution: If you somehow get signed out during a session, you will lose what you write when you’re not signed in. It’s only happened to me once, but it ticked me off.

EDIT: I didn’t even get signed out and it just lost a few hours’ work. Not impressed.

See all of the features here

cost: free ($36 to upgrade)

http://www.yarny.me

So what does this all mean? For me, there are advantages and disadvantages to both programs. Generally, I prefer Scrivener. It has more weight to it, I’ve used it successfully in the past, I like the bells and whistles, and it’s never lost 2 hours’ work (well, not since beta testing updates). But if it’s not working for me right now, I’ll give Yarny a shot.

If you’re writing and think the features of either sound nifty (and I really haven’t taken enough time to do them justice today), I recommend giving them a shot. Neither costs anything to try. Of course, neither will bake you a better writer, but they might help you be a more efficient and organized one, and that can’t be a bad thing.

**So, Publification. It’s all about the e-publishing. That’s all I know, but there’s more info here

*** Scrivener’s formatting doesn’t transfer, either, but you don’t have *these* to deal with. And it all comes out properly when you compile, just not if you copy and paste.


WIPpet Wednesday- Night in the Garden

Good day and/or evening, folks! It’s time again for WIPpet Wednesday, where the jokes are made up and the points don’t matter… wait, that’s not right. No, WIPpet Wednesday is that wonderful day of the week where we (and you, if you’d like to join in, see links at the bottom) post a little bit of a work-in-progress that somehow relates to the date- say, 15 lines on the 15th, or a bit of chapter 6 on the 6th… it’s becoming my favourite blog day because I love reading everyone’s snippets.

Something simple this week, I think; everyone here’s sick, we don’t need the excitement. A quiet moment with Rowan looking out the window over a moonlit garden, accompanied by an odd but seemingly harmless eagle… I said is was simple, I didn’t say it wasn’t weird.

Three paragraphs from chapter three of Bound, and I’m cutting it off before we get to the teaser-y part so you guys don’t call me mean again 😛 :

The moon was full and hazy behind the thin clouds that stretched across the sky, bathing the flower garden beneath my window in cool, shadowless light. Most of the flowers had died off or gone to sleep for the winter, but the cherry tree still held its odd mix of flowers and fruits, and the rose and lilac bushes were covered in blooms.

“It’s funny, isn’t it?” I asked Aquila, and he glanced back at me from his perch in the tree. “The flowers. I remember how surprised I was my first autumn here, when they didn’t wilt or fade until well into the winter. Everything in the garden bloomed long back then, the ground flowers as much as the trees. When I was little, I used to think it was because the garden was in love with my aunt. She cared so much for it, like it was a child or a friend, and I thought that the flowers were the garden’s way of loving her back. Now that she doesn’t go out there anymore, the flowers only bloom when they’re supposed to. The trees have longer memories, though.”

Aquila fluffed his feathers and stared at me. “I know, it’s stupid,” I said, and leaned farther out the window. “Matthew told me it’s just because the trees were cultivated over generations to bloom long, and he doesn’t have as much time to tend the flowers as Victoria did, so they die off more quickly. I still sometimes like to think it, though. It was the only magic I ever really had.”

Don’t forget to check out what the rest of the WIPpeteers are up to this week- just click here for the links. And as always, a big thank you to our sponsors… I mean, our lovely host, K.L. Schwengel!


Thoughts on “Worst Writing Tips”

Many thanks to The Z-Axis for letting me share my thoughts here instead of posting a blog-length comment on her post… I’m so bad for that.

Take a look at the original post here: The 5 Worst Writing Tips I’ve Ever Received

You back? Hooray!

What did you think?

Overall, I agree: when presented as absolute truth, these things are nuts. Write what you know? How boring would my stories be?! When taken more broadly, though, I think there’s merit to some of the advice, especially if we can agree that the advice should be used by those who benefit from it, and all others should feel free to ignore it.

If you’re interested, here’s how it broke down for me (if not, see you tomorrow for WIPpet Wednesday!):

5) “Outline your stories before you write”

DEFINITELY an “if it helps you” bit of advice. I outline… a little. I know where a story is going, but if my characters are doing their jobs (ie being real people as much as they can be), they’ll throw twists and turns in there that I didn’t plan, and couldn’t have, but that make the story richer. So I say outline if it works for you, don’t if it doesn’t. Easy!

4) “Set a writing schedule and stick to it”

There’s no way I can set a schedule and stick to it, but I’m sure it works for a lot of people. I have to write when I can, which is usually after the kids are in bed and when my husband is working nights, plus whatever I can squeeze in during the day. However, I think there is something to be said for writing because it’s time to do it, and not waiting for inspiration to strike. Yes, I love when the words and images are flowing freely and easily, but I’ve done some of my best work when I felt like I had to struggle to pry every word out of my brain. So in that sense, scheduling can work for me, and I suspect for other non-scheduley types. Just showing up can be half the battle, and a schedule can help with that… or it can just be a lot of pressure. Whatever works!

3) “Show, don’t tell”

I think it’s actually good advice, but very ambiguous. Of course we’re always telling. But as a reader, I’d rather a writer show me a character frowning than tell me he was angry. As a writer I want to make you feel the panic beating in a character’s chest, I don’t want to tell you “she started to panic.” The imagery doesn’t have to be complicated, and sometimes it is OK to tell, but generally I do think showing makes things more interesting (assuming, of course, that we don’t take it too far, as noted in the original post!)

2) “If you’re not depressed, alcoholic, or somewhat clinically insane, you can’t create a good story”

I definitely think this is weird. Are you supposed to go out and try to become an alcoholic to help your craft? That said, I don’t think those things are roadblocks, either. If nothing else, my depression is great motivation to keep writing. It helps. A lot. I think it has given me a different viewpoint and voice from what I might have had otherwise, but that doesn’t mean it’s better. Just different. And depression kept me from writing for years- between that and young children, I had no energy or brain power for it. So not so good in that way.

1) “Write what you know”

I do write what I know. I know my fantasy world. I know my characters better than I know my friends, and I can tell you the history of my world. I know what my dragons eat and why they hoard treasure. I know my magic system and why things work the way they do, even when my characters don’t. Do I write what I know from experience? Sometimes. I worked headaches into my current work in a way that enhanced the story, and I know those from way too much experience. But have I experienced everything I write about? Pfft. How boring would that be?! It should never have to be “write what you’ve done” or what you’ve seen, or where you’ve been*.I think “know what you write” (even if you’re making it up as you go along and clean it up later) is a more flexible way of saying this one.

So it’s not the worst advice, as long as it’s interpreted as broadly as possible. I think my work would suffer if I didn’t know those things I mentioned; if my characters’ actions were arbitrary and magic worked because I needed it to. But yeah, writing what I know from experience would just be a lot of depression and poopy diapers. Siiiiick.

End of my thoughts for today. Add your own, and be sure to share the love over at The Z-axis!

(Be sure to check out “The 5 Best Writing Tips I’ve Ever Received” for more thoughts!)

*And for the love of all that is entertaining and not irritating, it should NOT be “write who you are” unless it’s an autobiographical story.


White Rabbit!

If this makes no sense to you (me posting it, I mean; there’s probably a very good chance the song itself doesn’t), everything is explained in the first White Rabbit post. Well… explored, if not explained. 😉

(Thanks to Shannon from RDUS Customizers Paradise for the idea and the link!)


…Moving On, Then.

*ahem*

I feel I should apologize for the… incident on Friday night. The one where I had not just a headache, but a full-blown motherfecking migraine, and I revealed the sad extent to which painkillers affect my brain. If you read it, you can probably guess why I’ve never tried hard drugs.

I don’t need them.

We’ll just leave that where it is and pretend it never happened, hmm? Good.

Now, moving on… ‘Tis the night before (Camp) NaNo! Do you know what that means? Sadly, it does not mean I’m all stocked up on crappuccino; I’ll have to fix that later. No, it means that I know exactly what I’m going to be working on (and I hope finishing) in the month of April, but as I was walking the dog this evening a BRILLIANT, AMAZING, STUPENDOUS IDEA jumped into my head, and it is demanding to jump the line. I’m like, “No, I have to finish this other thing,” and it’s all, “but dude, I start with EASTER, you can’t put that shit off!” Ugh, so pushy.

I can handle it, this happens a lot. I’ll just have to appease it by writing out everything I thought of tonight and telling it that it needs to fester a little longer. Maybe in July, depending on how things do between now and then. I might need a break from my other world by then.

Ooh, but it’s going to be fun! *squeak!*


Migraine WHEEE

I’ve had a migraine all day. It feels like an upset stomach in my head. My brain is going to throw up.

Where would that go? Maybe it already did and there’s nowhere for that stuff to go, and it’s squishing my brain. Why is no one reporting this in medical journals?! Somebody should get on that.

I’m pretty much a zombie. Advil, Tylenol, Aleve. It still hurts. I just don’t care as much. Do painkillers do this to everyone? I’m all wonky.

Actually, a zombie probably wouldn’t feel pain. Or do they? Would I feel better if I were deader? But then my limbs would probably fall off. Kind of a trade-off, I guess.

Know what’s a funny word? Ornery. Sounds like a bird. An Oriole. Or Ornithology. Orville the Ornery Ornithologist should be a thing. Should be a children’s book. I should do that after I finish writing my last brilliant idea:

Blueballs the Eternally Frustrated Pirate and His Crew of Seasick Seamen.

Heh.

Ow.

I should not try to work tonight.

EDIT:
Holy crap this teapot has a helm it’s a Game of Thrones teapot. O.o

20130329-200309.jpg


Know What’s Coming Next Week?

Camp NaNoWriMo, that’s what!

Some of my longer-time (is that a thing?) readers might be familiar with my NaNoWriMo love. I hardly posted here at all in November, because I was spending so much of my time banging out words on Torn. Well, the big event doesn’t roll around again until next November, but they’re running camp sessions in April and July.

Yay!

Camp’s a lot more laid-back; this year they’re letting you set your own word-count goals, and are encouraging people to write whatever they want: a book of poetry, a screenplay, a bunch of short stories, a guide to the care and feeding of cephalopods, whatever floats your canoe. Write 10,000 words or write 99,000 words, just do it and have fun.

I’ve already got my cabin assignment; I’m with a good group of people, most of them from Hamburg, Germany. I’ve packed my toothbrush and some cozy blankets for those nights when the wind blows cold off of lake NaNo, lots of tea and cookies. I’ll still have my regular responsibilities around here, still have the kids to love and squish and the husband to hang out with and the dog to walk, but other than that, I’m gonna be writing!

I’ll be here, too, just maybe not as much. It works out, though, because I’ve been posting too much lately. I’ll keep posting WIPpet Wednesday snippets when I can (in fact, I’ve already set a few up– this is me tempting fate again), and I’ll send y’all postcards via this blog.

Try not to miss me too much if I get lost in the woods, OK? 😉

Oh, and there’s still time to register (for free!) if you want to join in the fun. If you do and want to keep in touch via camper messages, my user name over there is KittySparkes.


Since We’re Talking About Character Descriptions…

People seem to agree (at least, in the comments on my last post) that less is more in character description, and natural better than forced.

So of course, I had to write the worst character intro description I could, because doing things the wrong way is way more fun than it should be.

Come on, you’d totally keep reading this, right? 😉

(for Jae)

I interrupted the flow of early-story action to study the oil painting of myself I’d just happened to finish the night before, because looking in a mirror is, like, so cliche, amirite? My sapphire blue eyes captivated me from beneath perfectly groomed, raven black eyebrows; my lips were like ruby-red cushions of desire, and my adorable little nose was almost as perky as my breasts. My alabaster skin glowed in the painting as it does in real life, like, all the time, and I sighed excessively over the tiny mole on my upper lip that everyone said lent my appearance a charming hint of imperfection that is so important in a heroine, but that I hated with a passion. Because I’m flawed. Did you catch that?

“Dude,” said my boyfriend, who was ridiculously handsome in ways that I will explain in excessive detail in a few paragraphs, “you are beautiful, and you forgot to mention that your earlobes are small but perfectly formed, but perhaps you could admire your painting and think more about your appearance when there aren’t any zombie capybaras invading your family’s colonial brick mansion, which is lovely but really not defensible in any way?’

I sighed and flipped my long, wavy, ebony locks back over a perfectly formed shoulder. ‘Fine,’ I said, ‘but when we get to the obligatory Zombies in the Mall Scene, I insist on at least twenty minutes in a changeroom with adequate lighting and a 3-way mirror. The People have a right to know how my butt looks in a miniskirt.”

He didn’t answer. A capybara was gnawing on his kneecap. Asshole.


He Looks Like What?!

So here I am, reading “Imminent Danger and How to Fly Straight into it” and having a grand old time. I like Eris a lot (maybe partly because she reminds me so much of me), and Michelle Proulx has managed to create a male… well, I don’t know what he is. He’s certainly antagonistic, but something tells me he’s not going to end up being the enemy, so… prantagonist. That’s what he is. Anyway, he might be even less likeable than mine, which pleases me greatly. Why go half-way, right?

The book is a YA sci-fi, which means lots and lots of ALIENS. Obviously an author isn’t going to spend pages describing every detail of every creature we run into; that would be boring, and to my mind unnecessary. If it’s not important to my understanding of the story, I like to be given a few details to sketch a character in my mind, and then be allowed to fill in the rest myself. Tell me a character is deadly attractive and give me a few details; let me decide the rest for myself.

This book is a good example of that approach, but it’s made me consider a question I’ve asked myself before: how do the characters in my mind match up with the ones in the author’s?

This goes for any book. It’s one of the reasons I get nervous when a favourite book is being turned into a movie or TV mini-series (hi there, Under the Dome!); there’s no way all of the actors will look like they do in my head, and it ruins it a bit for me.

I drew a sketch of one of the characters from Imminent Danger, Miguri. He’s described as humanoid, 3 feet tall, brown-skinned, with massive blue eyes and a mop of white hair, plus a huge white, furry tail. He wears a brown, knee-length, belted tunic. Also, Eris thinks he looks like a cross between a monkey and a garden gnome, which kind of tickled me. And this is what came to mind:

20130322-133548.jpg

I didn’t say it was a GOOD sketch 😉

It’s a great description, isn’t it? But I’d be willing to bet money that Michelle Proulx’s mental image of Miguri is nothing like mine. There were still blanks to be filled in, weren’t there? Ear shape, for one. My mind made them big and pointy, I don’t know why. Face shape is another; I guess what I see in my mind came from the monkey thing. Even the shape of the milky-white gem on his belt and the way that it’s hanging are probably off; I picture a smooth, round gem, but in the author’s mind it could be cut and polished.

I like that. It’s like a collaboration between writer and reader, and something new is created every time a different person reads a story.

I also wonder what people think my characters look like, the ones I’ve created. I tend to lean toward less description; Rowan has auburn hair and grey eyes, fact. I know exactly what she looks like in my mind, but does it really matter if someone else pictures her differently? Not so much. Aren gets a bit more description as Rowan notices things about him, but again the details are up to the reader to fill in. Does it affect the story if I think Rowan has a few freckles? Not unless Aren notices them when it’s his turn to speak. Then it matters… but he generally has other things on his mind.

Likewise for creatures. I don’t have a plethora of aliens to describe, but I have critters and creatures. My horses are rather unusual, so they get a few extra lines of description, but when a dog appears and I say “brown shaggy mutt,” you guys can feel free to give him floppy ears or straight as you see fit. Heck, give him white socks and a black patch over one eye. Have fun with it.

Stephen King says a little about this in On Writing, and if you haven’t read that one, I highly recommend it. He’s an author who tends to give very little physical description of characters unless it’s important to the story (or his POV character is observing it), but I’ve never had trouble picturing his characters in my mind.

One other note, while we’re on the topic: do you guys remember when they revealed the casting for the Hunger Games movie, and there were people who were outraged that Rue was being played by a black girl? Oh, the horror. -_-  How dare they use this beloved character to promote some kind of… Well, I don’t even remember what the arguments were, I tuned them out, they all sounded like assholes. Basically, people thought it was political, and were for some reason upset about racial diversity.

Guess what?

“She has bright, dark eyes and satiny brown skin…”

The Hunger Games, chapter 7, page 98 in my edition. Quoted.

It doesn’t matter how you describe your characters, people are going to see what they want to see in their minds. If I pictured Miguri as a fluffy, pink-haired, horse-faced, 7-foot-tall thing with nifty shoes… that would be really weird, but I doubt the author would lose any sleep over it.

What do you guys think? When you’re reading, do you see characters clearly in your mind? Do you prefer more description, or less? When (and if) you’re writing, how badly do you want your readers to understand your vision of your characters, human or otherwise?


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